Wyniki wyszukiwania:

Benjamin Franklin, writes Douglas Anderson in his preface, is -no one's contemporary... Blending elements of the fifteenth-century spiritual discipline of Thomas a Kempis with the journalistic energy of Daniel Defoe, the urbane reason of Lord Shaftesbury with the scientific initiative of Thomas Edison, Franklin places exceptional demands on the historical imagination of his readers--demands that are inevitably slighted by writers who emphasize only one set of interests or one facet of a complex temperament.-

In The Radical Enlightenments of Benjamin Franklin Anderson takes a...

The Introspective Art of Mark Twain is a major new assessment of a towering American writer. Seeking to trace the development of Mark Twain's imagination, Douglas Anderson begins near the end of Twain's life, with the long dialogue What Is Man? that Twain published anonymously in 1906. In Twain's view, the little-read What Is Man? lies at the heart of his creative life. It is the central aesthetic testament that he employed to tell the story of his artistic evolution. Anderson follows the contours of that story as it unfolds over Twain's career. The portrait that emerges...

Widely regarded as the most important narrative of seventeenth-century New England, William Bradford's Of Plimmoth Plantation is one of the founding documents of American literature and history. In William Bradford's Books this portrait of the religious dissenters who emigrated from the Netherlands to New England in 1620 receives perhaps its sharpest textual analysis to date--and the first since that of Samuel Eliot Morison two generations ago. Far from the gloomy elegy that many readers find, Bradford's history, argues Douglas Anderson, demonstrates remarkable ambition and...

The Introspective Art of Mark Twain is a major new assessment of a towering American writer. Seeking to trace the development of Mark Twain's imagination, Douglas Anderson begins near the end of Twain's life, with the long dialogue What Is Man? that Twain published anonymously in 1906. In Twain's view, the little-read What Is Man? lies at the heart of his creative life. It is the central aesthetic testament that he employed to tell the story of his artistic evolution. Anderson follows the contours of that story as it unfolds over Twain's career. The portrait that emerges...

Benjamin Franklin wrote his posthumously published memoir--a model of the genre--in several pieces and in different temporal and physical places. Douglas Anderson's study of this work reveals the famed inventor as a literary adept whose approach to autobiographical narrative was as innovative and radical as the inventions and political thought for which he is renowned.

Franklin never completed his autobiography, choosing instead to immerse his reader in the formal and textual atmosphere of a deliberately -unfinished- life. Taking this decision on Franklin's part as a starting point,...

The essays explore the nature of semiotic interpretation, perception, and inquiry. Moreover, considering the...