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The Social (Re)Production of Architecture brings together a wide range of international contributors including Katherine Gibson, Apolonija u ter i, and Jeanne van Heeswijk to debate the right to produce architecture in the context of current political, economic and environmental crisis. Building on 1970s discussions about the production of space, which French sociologist Henri Lefebvre considered a civic right, the authors question who has the right to make space and explore the kinds of relations that are produced in the process, and how these can be altered to generate positive...

Ioana Petrescu is a Romanian-born poet who lives in Adelaide. Her poems have been published in Australia and Romania, in newspapers, magazines and on the Internet. Her first poetry collection, I Say... (Wakefield Press 1999), received enthusiastic praise: 'Petrescu is a versatile, cosmopolitan poet whose intelligence and wit make every poem interesting in this too-small collection.' - Bev Roberts, Australian Book Review

Writings pertaining to European and international private, banking and commercial law]
Europeanization and internationalization challenge the realm of jurisprudence to an extraordinary degree. The division in special fields and the relationship with other social sciences necessitate critical reevaluation in view of many interactions. Cross-references between commercial law regulation and private, autonomous arrangement distinctly show this development. Jurisprudence emerging beyond Germany has to deal with such challenges. The law of financial services serves as an example of the...

This collection of essays addresses and defines the state of contemporary theories and practices of space: it is concerned with the growing importance of technology and communications, the effects of globalization and the change of social demands. Within the current urban and geopolitical contexts, it addresses the emergence of new social and political theories that raise questions of identity and difference in modern society. The book reiterates feminist concerns with space from the critical stance of the new millennium.

With contributions from the leading theorists and...

'In Petrescu's poem, Afternoon at Buon Giorno's, Poetry with a capital P, elegantly sitting drinking lemon, lime and bitters, remarks that her interest now is in the lyrical stance of the ordinary. To which her interlocutor, Mephistopheles, replies, Bullshit. Should Poetry sell her soul to this devil? Of course she should - but only if he is a less whimsical figure than the neo-Gothic Dracula Bram Stoker ascribed to Petrescu's native Transylvania.' - John Drew, Cambridge, UK