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Stanley Spencer (1891-1959) explored fundamental issues of life with an urgency and persistence unique among British artists of his generation. His art comments on religion, love, sexuality, fraternity and community. Covering all aspects of Spencer's paintings, this original publication provides a comprehensive analysis of the artist's entire oeuvre.

In a world that increasingly requires researchers to skim, scan, glance, and browse, we might wonder how well we actually see. And if we do manage to see, why do we usually translate seeing and thinking into words? What would happen if researchers were to draw what they see?

In this combined how-to-see / how-to-draw manual, Andrew Causey offers insights, inspiration, practical techniques, and encouragement for social scientists interested in exploring drawing as an alternative method of translating what they "see" during their research. Designed for those with no drawing...

Since 1945 the modern revolution in sculpture has gathered pace, and even the term sculpture has ceased to be the fixed category it once was. In Sculpture Since 1945, Andrew Causey provides a ground-breaking account of the development of post-War sculpture.
In over 130 beautiful illustrations, Causey examines innovative and avant-garde works in relation to contemporary events, festivals, commissions, the marketplace, and the changing functions of museums. He also explores the use of everyday objects and the importance of sculptural context, discussing figurative and...

This is a critical edition of the art writings of the British painter Paul Nash (1889-1946). His writings span the years 1919 to 1946, with the majority dating from the 1930s; they were framed by his profession of painting and his activities as an art teacher, a product designer, and his involvement, as organizer and polemicist, in the art world.