Acknowledgments vi Preface (and In Memoriam) 1 Introduction—Texts and Contexts: The Global Vampire in Popular Culture (Cait Coker) 3 The Americas and Canada Biting, Sex and Blood: The New American Vampire Narrative (Candace R. Benefiel) 11 "I'll give you blood to drink": The New Vampire in Novels About the Salem Witch Trials (Marta María Gutiérrez-Rodríguez) 23 Wes Craven's Vampire in Brooklyn: A Passing Narrative (Kendra R. Parker ) 35 The Transmediated Lesbian Vampire: LGBTQ Representation in a Contemporary Adaptation of J. Sheridan Le Fanu's (Carmilla Natalie Krikowa) 48 Éternelle Colonization: The Figure of the Vampire as Colonizing Factor in 21st-Century Québec (Maureen-C. LaPerrière and Julien Drainville) 60 Europe and the Mediterranean "The creatures of the night, what bad jokes they make!": Racism, "True" Humor and the Nationalistic Vampire on Film (Simon Bacon) 77 Amid and Beyond Gender(s): The Vampire as a Locus of Gender Neutrality in John Ajvide Lindqvist's Let the Right One In (Marie Levesque) 90 The Economic Miracle and the Italian Undead in Tempi duri per i vampiri (Fernando Gabriel Pagnoni Berns) 104 "Time is an abyss": The Role of History in Werner Herzog's Nosferatu (1979) (Thomas Prasch) 116 There's Water Here: Cities, Safety and the Global Environment in Jim Jarmusch's Only Lovers Left Alive (Karen E. Viars) 128 Asia and Australia From Sunnydale to Seoul: The Vampire "Fan" in Korean Dramas (Cait Coker) 143 "Don't adjust your life to mine": Moon Child, Homoeroticism and the Vampire as Multifaceted Other (Miranda Ruth Larsen) 153 Aboriginal Australian Vampires and the Politics of Transmediality (Naomi Simone Borwein) 165 "In need of vitamin sea": The Emergence of Australian Identity Through the Eyes and Thirst of Kirsty Eager's Vampires (Phil Fitzsimmons) 177 Globalism: Real and Virtual Worlds? The Ecohorror of The Strain: Plant Vampires and Climate Change as a Holocaust (Tatiana Prorokova-Konrad) 189 "Set to drain": Vampirism as Mechanic and Metaphor in The Elder Scrolls IV: Oblivion (Trevor Dodge) 200 Afterword (Amanda Jo Hobson and U. Melissa Anyiwo) 211 About the Contributors 215 Works Cited 219 Index 235