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Reinventing Allegory asks how and why allegory has survived as a literary mode from the late Renaissance to the postmodern present. Three chapters on Romanticism, including one on the painter J.M.W. Turner, present this era as the pivotal moment in allegory's modern survival, while other chapters describe larger historical and philosophical contexts, from classical rhetoric to recent theory and metafiction. Using a series of key historical moments to define the special character of modern allegory, this study assesses allegory's role in comtemporary literary culture.

In British Fiction and the Production of Social Order, Miranda Burgess examines what Romantic-period writers called "romance." Reading a broad range of fictional and nonfictional works published between 1740 and 1830, Burgess places authors such as Richardson, Scott, Austen and Wollstonecraft in a new economic, social, and cultural context. She argues that the romance held a key role in remaking the national order of a Britain dependent on ideologies of human nature for justification of its social, economic, and political systems.

This ambitious and original study explores the connections between aesthetic theory and political theory from the era of Romanticism to the twentieth century. David Kaiser traces these ideas through Schiller and Coleridge, Arnold, Mill and Ruskin, to Adorno and Habermas. He analyzes the problems that contemporary literary theory faces in attempting to connect the aesthetic and political spheres, and suggests that we rethink the aesthetic sphere in order to regain that connection.