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The image of the movie-obsessed gay man is a widely circulating and readily recognizable element of the contemporary cultural landscape. Using psychoanalytic theory as his guide while inflecting it with insights from both film theory and queer theory, Brett Farmer moves beyond this cliche to develop an innovative exploration of gay spectatorship. The result, "Spectacular Passions, " reveals how cinema has been engaged by gay men as a vital forum for "fantasmatic performance"--in this case, the production of specifically queer identities, practices, and pleasures.
Building on the...

The image of the movie-obsessed gay man is a widely circulating and readily recognizable element of the contemporary cultural landscape. Using psychoanalytic theory as his guide while inflecting it with insights from both film theory and queer theory, Brett Farmer moves beyond this cliche to develop an innovative exploration of gay spectatorship. The result, "Spectacular Passions, " reveals how cinema has been engaged by gay men as a vital forum for "fantasmatic performance"--in this case, the production of specifically queer identities, practices, and pleasures.
Building on the...