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Bertolt Brecht's extraordinary historical novel presents an aspiring scholar's efforts to write an idealized life of Julius Caesar twenty years after his death. But the historian abandons his planned biography, confronted by a baffling range of contradictory views. Was Caesar an opportunist, a permanently bankrupt businessman who became too big for the banks to allow him to fail - as his former banker claims? Did he stumble into power while trying to make money, as suggested by the diary of his former slave? Across these different versions of Caesar's career in the political and economic...

The Messingkauf dialogues are the longest but in some ways the most light hearted of all Brecht's discussions of theatre. Here Actor, Actress, Dramaturg (or literary adviser) and Electrician argue with the Brechtian Philosopher who wants to exploit their talent for his own purposes. The result is a lively debate about the place of art in society.

Along with Mother Courage, the character of Galileo is one of Brecht's greatest creations, immensely live, human and complex. Unable to resist his appetite for scientific investigation, Galileo's heretical discoveries about the solar system bring him to the attention of the Inquisition. He is scared into publicly abjuring his theories but, despite his self-contempt, goes on working in private, eventually helping to smuggle his writings out of the country.

As an examination of the problems that face not only the scientist but also the whole spirit of free inquiry when brought into...

"Während der Exiljahre und insbesondere in Amerika war Brecht weitgehend von 'seinem' Publikum abgeschnitten; nachdem er 1947 wieder nach Europa zurückgekehrt war, begann der Theatermann in verstärktem Maße, seine Stücke selbst zu inszenieren, aber auch 'klassische' Dramen für die Bühne zu bearbeiten und seine Modellinszenierungen zu dokumentieren. Obwohl diese Bearbeitungen auf ihren Vorlagen basieren, hat Brecht damit originäre Bühnenwerke geschaffen, die mit eigenem Anspruch auftreten können. Er beabsichtigte auch ihre Veröffentlichung in Buchform unter dem Titel...

Described by Brecht as 'a gangster play that would recall certain events familiar to us all', The Resistible Rise of Arturo Ui is a witty and savage satire of the rise of Hitler - recast by Brecht into a small-time Chicago gangster's takeover of the city's greengrocery trade. Using a wide range of parody and pastiche - from Al Capone to Shakespeare's Richard III and Goethe's Faust - Brecht's compelling parable continues to have relevance wherever totalitarianism appears today.

Written during the Second World War in 1941, the play was one of the Berliner Ensemble's most...