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With a positive theology of change, we can live as Christians known not for disagreements or self-interest, but for our love through difficulty.

"When congregations can move forward from conflict, weather change well and allow ourselves to move beyond old and outdated stories, then we are able to create a new story for our future.... Do we dare to ask God to lead us to a new place?"
--from the Benediction

Change and conflict are often feared in churches--but they don't need to be. When we learn to see these difficulties as normal, healthy parts of being a...

With a positive theology of change, we can live as Christians known not for disagreements or self-interest, but for our love through difficulty.

"When congregations can move forward from conflict, weather change well and allow ourselves to move beyond old and outdated stories, then we are able to create a new story for our future.... Do we dare to ask God to lead us to a new place?"
--from the Benediction

Change and conflict are often feared in churches--but they don't need to be. When we learn to see these difficulties as normal, healthy parts of being a...

Bradshaw contends that lasting change comes only through altering the stories by which people live. The Bible is the metanarrative whose altering theme of redemption forms a transcultural ethical basis. Aspects of God's redemption story can change how local cultures think and behave toward the environment, religions,...

Homicide becomes more than an academic study for Toronto criminologist Ted Boudreau when his own suburban home is burglarized, with deadly results. Was his computer targetted because of his interest in a secretive biker gang? Teds attempts to deal with the aftermath bring him into conflict with family, police detectives, and the Crown prosecutor assigned to the caseas well as with his university colleagues, whose penal philosophy Ted no longer believes can stand the test of real-life experience. His pursuit of justice must compete with his duty not to compromise the source of his dossier...

In the fertile artistic milieu of 1927 Toronto...

After winning the commission to paint a war memorial mural for Christ Church Grange Park, Nora Britton is found dead on the church floor. An accidental fall from the scaffold she was working on? So it seems, until police detective Paul Shenstone discovers that she has been the subject of parishioners' death threats. Shenstone's sleuthing takes him from slum to mansion, from speakeasy to laboratory to artist's studio. The dead Nora becomes his obsession. His list of suspects keeps lengthening as he discovers in his city unexpectedly...