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This book examines Elfriede Jelinek s investigation of Austria s and Western Europe s -obscene fantasies- through her -perversion- of generic forms in three of her best-known texts (Die Liebhaberinnen, Lust, and Die Klavierspielerin). Each chapter investigates a central psychoanalytic concept (alienation, jouissance, perversion, and sublimation) and reads a Jelinek text in relation to the genre that it is perverting, exposing the -obscene fantasies- that lie at its heart. This book argues that the disruption of genres is one of Jelinek s most significant literary contributions,...