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P90X creator Tony Horton is known by millions of fans for his take-no-prisoners, straight-talking approach to fitness. Now, with The Big Picture, Tony brings his energetic, no-nonsense style to bear on the rest of your life, sharing his formula for success outside of the gym.

Tony's 11 Laws are the basis for his bestselling workout programs--here he shows readers how to apply them to the rest of their lives for instant and dramatic change. Using eye-opening examples from his own journey as well as inspiring stories from people he's met along the way, Tony shows you how to...

Using examples from Chaplin to Seinfeld, Aristophanes to Woody Allen, Horton describes comedy as a perspective...

Worship even more than theology may be the key to a true understanding of the Church's history, for through it people express their interpretation of theology and religion. In this third volume (chronologically) of a planned several-volume series, Professor Davies traces liturgy's relationship to music, literature, and architecture; studies the effects of philosophical, social, and theological movements (18th century Rationalism, the Oxford Movement, the Evangelical Revival); and describes the techniques of such popular preachers and teachers as Whitefield and Wesley. There are chapters on...

Theo Angelopoulos is widely regarded as one of the most distinctive contemporary filmmakers and a highly idiosyncratic film stylist. His work, from the early 1970s to "The Beekeeper," "Landscape in the Mist," "The Suspended Step of the Stalk" and the recent Cannes prize-winner "Ulysses' Gaze," demonstrates a unique sensibility and a preoccupation with form (notably, the long take, space, and time) and with content, particularly Greek politics and history, and notions of the journey, border-crossing, and exile. This new collection of essays surveys his entire cinematic output and presents a...

Greek film director Theo Angelopoulos is one of the most influential and widely respected filmmakers in the world today, yet his films are still largely unknown to the American public. In the first book in English to focus on Angelopoulos's unique cinematic vision, Andrew Horton provides an illuminating contextual study that attempts to demonstrate the quintessentially Greek nature of the director's work. Horton situates the director in the context of over 3,000 years of Greek culture and history. Somewhat like Andrei Tarkovsky in Russia or Antonioni in Italy, Angelopoulos has used cinema...