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Shakespeare, Performance and the Archive is a ground-breaking and movingly written exploration of what remains when actors evacuate the space and time of performance.　 An analysis of 'leftovers', it moves between tracking the politics of what is consciously archived and the politics of visible and invisible theatrical labour to trace the persistence of performance.

In this fascinating volume, Hodgdon considers how documents, material objects, sketches, drawings and photographs explore scenarios of action and behaviour - and embodied practices. Rather than viewing these...

In these provocative case studies, Barbara Hodgdon examines not only how Shakespeare's plays are staged and restaged by readers and critics as well as by performers and directors, but also how the Elizabethan age itself is recirculated and marketed. Hodgdon's look at The Taming of the Shrew scans from silent films, to the Shrew episode of the eighties television show Moonlighting, to the most recent Royal Shakespeare Company productions. Moving beyond Shakespeare's plays themselves, she considers how film and television have marketed Queen Elizabeth I's popular cultural memory and how...

Shakespeare, Performance and the Archive is a ground-breaking and movingly written exploration of what remains when actors evacuate the space and time of performance.　 An analysis of 'leftovers', it moves between tracking the politics of what is consciously archived and the politics of visible and invisible theatrical labour to trace the persistence of performance.

In this fascinating volume, Hodgdon considers how documents, material objects, sketches, drawings and photographs explore scenarios of action and behaviour - and embodied practices. Rather than viewing these...

• Redraws the boundaries of Shakespeare performance studies.


• Considers performance in a range of media, including in print, in the classroom, in the theatre, in film, on television and video, in multimedia and digital forms.


• Introduces important terms and contemporary areas of enquiry in Shakespeare and performance.


• Raises questions about the...

In this bold reconceptualization of Shakespeare's histories as plays that ultimately generate and seek to legitimize new kings, Barbara Hodgdon examines how closure contests as well as celebrates power relations dominant in late Elizabethan and early Jacobean society--particularly those between sovereign and subjects. Taking a broad view of closure as a developing process in which narrative structures, generic signs, and rhetorical conventions play contributory, and often contradictory, roles, she also considers how theatrical representations interpret, or reinterpret, closural features to...

• Redraws the boundaries of Shakespeare performance studies.


• Considers performance in a range of media, including in print, in the classroom, in the theatre, in film, on television and video, in multimedia and digital forms.


• Introduces important terms and contemporary areas of enquiry in Shakespeare and performance.


• Raises questions about the...