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As the Roman Empire expanded its African settlements in the early centuries of the common era, thousands of mosaic floor pavements were fashioned to adorn the townhouses and rural estates of the African upper classes. Between the second and sixth centuries, mosaic art blossomed, particularly
in Africa Proconsularis, the region comprising modern Tunisia. In contrast to the official art of imperial Rome, mosaics generally expressed the worldviews of private citizens. These artworks are remarkable for the intricate beauty of their polychromatic geometric and floral designs, as well as...

This handsome, plentifully illustrated proceedings volume provides a comprehensive record of the ninth triennial meeting of the International Committee for the Conservation of Mosaics (ICCM), organized by the Getty Conservation Institute (GCI) and the Institut National du Patrimoine (INP) of Tunisia and held in 2005 in Hammamet, Tunisia, focused on assessing past practices of mosaic conservation, both in situ and in museums.