Editing Early Modern Women

ISBN-13: 9781107573260 / Angielski / Miękka / 2019 / 311 str.

Sarah C. E. Ross; Paul Salzman

Opis

This volume offers a new and comprehensive exploration of the theory and practice of editing early modern women's writing.

Widoczna okładka, to zdjęcie poglądowe, a rzeczywista szata graficzna może różnić się od prezentowanej. Nie gwarantujemy zgodności okładki z prezentowanym zdjęciem.

Recenzje

'This important volume will be essential reading for scholars and students interested in editing and gender, in the early modern period and beyond.' Gillian Wright, Renaissance Quarterly

Spis treści

1. Introduction: editing early modern women Sarah C. E. Ross and Paul Salzman; Part I. Editorial Ideologies: 2. The backward gaze: editing Elizabeth Tyrwhit's prayerbook Susan M. Felch; 3. Producing gender: Mary Sidney Herbert and her editors Danielle Clarke; 4. Editing the feminist agenda: the power of the textual critic and Elizabeth Cary's The Tragedy of Mariam Ramona Wray; 5. Contextualizing the woman writer: editing Lucy Hutchinson's religious prose Elizabeth Clarke; Part II. Editing Female Forms: Gender, Genre, and Editing: 6. Critical categories: toward an archaeology of Anne, Lady Halkett's archive Suzanne Trill; 7. Editing early modern women's letters for publication Diana Barnes; 8. Editing Queen Elizabeth I Leah Marcus; 9. Editing early modern women's dramatic writing for performance Marion Wynne-Davies; 10. Single-author manuscripts, poems (1664), and the editing of Katherine Philips Marie-Louise Coolahan; Part III. Out of the Archives, into the Classroom: 11. Out of the archives: Mary Wroth's Countess of Montgomery's Urania Mary Ellen Lamb; 12. Anthologizing early modern women's poetry: women poets of the English Civil War Sarah C. E. Ross and Elizabeth Scott-Baumann; 13. Modernizing Katherine Austen's Book M (1664) for the twenty-first-century, non-expert reader Pamela S. Hammons; Part IV. Editorial Possibilities: 14. Editing early modern women in the digital age Patricia Pender and Rosalind Smith.