Max Silverman is Professor of Modern French Studies at the University of Leeds. He has written on cultural memory, representations of the Holocaust, post-colonial theory and cultures, and immigration, race and nation in France. His recent publications include Concentrationary Cinema: Aesthetics as Political Resistance in Alain Resnaisas aNight and Foga, co-edited with Griselda Pollock (Berghahn Books, 2011).