Winesburg, Ohio: Text and Criticism

ISBN-13: 9780140247794 / Angielski / Miękka / 1996 / 544 str.

Sherwood Anderson; John H. Ferres; John H. Feres

Opis

George Willard is a young reporter on the Winesburg Eagle to whom, one by one, the inhabitants of Winesburg, Ohio, confide their hopes, their dreams, and their fears. This town of friendly but solitary people comes to life as Anderson's special talent exposes the emotional undercurrents that bind its people together. In this timeless cycle of short stories, he lays bare the life of a small town in the American Midwest.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Recenzje

"When he calls himself a 'poor scribbler' don't believe him. He is not a poor scribbler . . . he is a very great writer."--Ernest Hemingway

"Winesburg, Ohio, when it first appeared, kept me up a whole night in a steady crescendo of emotion."--Hart Crane

"As a rule, first books show more bravado than anything else, unless it be tediousness. But there is neither of these qualities in Winesburg, Ohio. . . . These people live and breathe: they are beautiful."--E. M. Forster

"Winesburg, Ohio is an extraordinarily good book. But it is not fiction. It is poetry."--Rebecca West

Spis treści

Winesburg, OhioPreface to the First Edition
Preface to the Revised Edition
Chronology
Anderson on Winesburg, Ohio (from his Memoirs and Letters): Language and Form / Winesburg and Its People / Reception
I. Winesburg, Ohio: The Text
A Note on the Text, by Malcolm Cowley

II. The Reviewers
The New Republic, June 25, 1919: M. A.
The Chicago Evening Post, June 20, 1919: LLEWELLYN JONES
Smart Set, August 1919: H. L. MENCKEN
The Bookman, August 1919: H. W. BOYNTON
The Springfield Republican, July 20, 1919
The New Statesman, July 22, 1922: REBECCA WEST

III. The Critics
WILLIAM L. PHILLIPS, How Sherwood Anderson Wrote Winesburg, Ohio
WALTER B. RIDEOUT, The Simplicity of Winesburg, Ohio
JARVIS A. THURSTON, Technique in Winesburg, Ohio
ROGER ASSELINEAU, Language and Style in Sherwood Anderson's Winesburg, Ohio
MALCOLM COWLEY, Introduction to Winesburg, Ohio
WALDO FRANK, Winesburg, Ohio After Twenty Years
JOHN S. REIST, JR., An Ellipse Becomes a Circle: The Developing Unity of Winesburg, Ohio
EDWIN FUSSELL, Winesburg, Ohio: Art and Isolation
DAVID STOUCK, Winesburg, Ohio as a Dance of Death
IRVING HOWE, The Book of the Grotesque
CHARLES CHILD WALCUTT, Naturalism in Winesburg, Ohio
EILEEN BALDESHWILER, Sherwood Anderson and the Lyric Story
SALLY ADAIR RIGSBEE, The Feminine in Winesburg, Ohio
MARTIN BIDNEY, Anderson and the Androgyne: "Something More Than Man or Woman"
JOHN H. FERRES, The Nostalgia of Winesburg, Ohio
LIONEL TRILLING, Sherwood Anderson
E. SAN JUAN, JR., Vision and Reality: A Reconsideration of Sherwood Anderson's Winesburg, Ohio
JOHN T. FLANAGAN, Hemingway's Debt to Sherwood Anderson
WILLIAM FAULKNER, Sherwood Anderson: An Appreciation

Topics for Discussion and Papers
Bibliography

O autorze

Born in 1876, Sherwood Anderson grew up in a small town in Ohio—an experience that was the basis of his greatest achievements as a writer. He served in the Spanish-American War, worked as an advertising man, and managed an Ohio paint factory before abandoning both job and family to embark on a literary career in Chicago. His first novel, Windy McPherson's Son, was published in 1916; his second, Marching Men, a characteristic study of the individual in conflict with industrial society, appeared in 1917. But it is Winesburg, Ohio (1919), with its disillusioned view of small-town lives, that is generally considered his masterpiece. Later novels—Poor White, Many Marriages, and Dark Laughter—continued to depict the spiritual poverty of the machine age. Anderson died in 1941.