Wendy Carlos's Switched-On Bach is the type of entry that keeps me coming back to the 33 1/3 series. Khesti's work has completely opened up my mind and understanding of what the Moog should be as a musical instrument and what Wendy Carlos hoped to accomplish by recording music as she did. Bearded Gentleman Music
Switched-On Prologue1 Original Synth2 Switching On3 Switched-On Studio4 Switched-On WorldEpilogue: Cats on Keys & Total EclipsesAcknowledgementsNotes
Roshanak Kheshti is Associate Professor of Ethnic Studies and affiliate faculty in the Critical Gender Studies Program at the University of California, San Diego, USA. Her first book Modernity's Ear: Listening to Race and Gender in World Music (2015) is an examination of the form of listening promoted by the US world music culture industry through which the modern listening subject is produced. Her research broadly centers on the consumption of race, gender and sexuality through sound and film. Her scholarship has appeared in the Radical History Review, American Quarterly, Anthropology News, Parallax, Feminist Studies, GLQ, Theater Survey, and Sounding Out!. She has also published numerous musical recordings both as a former member of bay area-based experimental rock band The Ebb and Flow and independently as composer and performer for independent film.