Acknowledgements; Introduction; 1. One Hundred Years of Voice in Art Practice; 2. Dramaturgical Performances, Documentary Utterances and Vocal Objects; 3. Art, Emotion, and the Location of Voices; 4. Phenomenology of Voice; 5. Plural Voices: Postmodernity, Subjectivity and Sampling; 6. Listening to Voice; Conclusion: Voice and Contemporary Practice
Richard Couzins is a researcher, writer and practising artist, making and exhibiting work both as a solo artist and collaboratively. His research interests include moving image, the human voice in artistic practice, song, photography in contemporary art and the relationship between the avant-garde, early cinema and music hall.