Virtual Theatres : An Introduction

ISBN-13: 9780415283786 / Angielski / Twarda / 2004 / 174 str.

Gabriella Giannachi

Opis

Welcome to theatre of the twenty-first century, in which everything - except for the viewer, can be simulated. Virtual Theatres is the first full-length book of its kind to offer an investigation of the interface between theatre performance and digital arts. Through discussion of a variety of artists and performers - including Stelarc, Orlan, Forced Entertainment, Merce Cunningham and Blast Theory, Gabriella Giannachi analyses the aesthetic concerns of current computer arts practices and shows how they radically question our conventional uses and definitions of time, space, place, character, identify and realness. The book not only allows for a re-interpretation of what is possible in the world of performance practice but also demonstrates how 'virtuality' has come to represent a major parameter for our understanding and experience of contemporary art and life.

Recenzje

'A welcome addition to the growing range of works currently available on virtual reality and performance. It is clearly written and offers a useful historical overview of the field to date ... Giannachi has done impressive work in collating a vast and stimulating array of relevant examples ... There is no question that Virtual Theatres is a tremendously useful teaching and research resource. It will be of great use to teachers of new media, as well as post-graduate and under-graduate students of theatre studies.' – Studies in Theatre Performance

Spis treści

Introduction 1 Hypertextualities 2 Cyborg theatre 3 The (re-)creation of nature 4 Performing through the hypersurface 5 Towards an aesthetic of virtual reality, Conclusion

O autorze

Gabriella Giannachi is a lecturer in Theatre Studies at the University of Lancaster, where her specialist areas include new technologies and performance. She is also co-editor of On Directing (1999) and co-author of Staging the Post-Avant-Garde (2002).