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Victorian Poets: A Critical Reader features a collection of critical essays focusing on various aspects of Victorian-era poetry from the 1830s to the 1890s.
Presents key criticism on Victorian poetry
Features contributions from a variety of scholars in the field
Illustrates the full range of critical approaches to the Victorian poets, including attention to texts, words, forms, modes, and sub-genres
Offers fresh reinterpretations, many driven by contemporary ideological interests, including gender questions, selfhood, and body issues
1 The Echo and the Mirror en abîme in Victorian Poetry 15 Gerhard Joseph
2 The Mirror s Secret: Dante Gabriel Rossetti s Double Work of Art 27 J Hillis Miller
3 Browning s Anxious Gaze 46 Ann Wordsworth
4 The Pragmatics of Silence, and the Figuration of the Reader in Browning s Dramatic Monologues 56 Jennifer A Wagner–Lawlor
5 Dramatic Monologue and the Overhearing of Lyric 75 Herbert F Tucker
6 Matthew Arnold s Gipsies: Intertextuality and the New Historicism 95 Antony Harrison
7 A New Radical Aesthetic: The Grotesque as Cultural Critique: Morris 118 Isobel Armstrong
8 Alienated Majesty: Gerard M Hopkins 143 Geoffrey Hill
9 Fact and Tact: Arnoldian Fact–finding and Q Tactlessness in the Reading of Gerard Hopkins 160 Valentine Cunningham
10 A Thousand Times I d be a Factory Girl : Dialect, Domesticity, and Working–Class Women s Poetry in Victorian Britain 174 Susan Zlotnick
11 The fruitful feud of hers and his : Sameness, Difference, and Gender in Victorian Poetry 199 Dorothy Mermin
12 Eat me, drink me, love me : The Consumable Female Body in Christina Rossetti s Goblin Market 221 Mary Wilson Carpenter
13 Browning s Corpses 243 Carol T Christ
14 A E Housman and the colour of his hair 255 Christopher Ricks
15 Tennyson s Little Hamlet 268 David G Riede
16 The Disappointment of Christina G Rossetti 286 Eric Griffiths
17 Stirring a Dust of Figures : Elizabeth Barrett Browning and Love 316 Angela Leighton
18 Love, let us be true to one another : Matthew Arnold, Arthur Hugh Clough and our Aqueous Ages 333 Joseph Bristow
19 Poets and lovers evermore : The Poetry and Journals of Michael Field 358 Chris White
20 Swinburne at Work: The First Page of Anactoria 380 Timothy A J Burnett
21 Naming and Not Naming: Tennyson and Mallarmé 390 Mary Ann Caws and Gerhard Joseph
Index 411
Valentine Cunningham is Professor of English Language and Literature, Oxford University, and Senior Research Fellow in English, Corpus Christi College, Oxford. His publications include Reading After Theory (2002), Victorian Poetry Now: Poets, Poems, Poetics (2011) and King Lear: the Connell Guide (2012).
Heirs to the idealized world of the Romantics, darker themes emerged in the era of the Victorians. Victorian Poets: A Critical Reader features a collection of thought–provoking critical essays focusing on various aspects of Victorian–era poetry from the 1830s to the 1890s. Featuring contributions from a variety of distinguished scholars, the essays illustrate the wide range of innovative critical approaches to this extraordinary body of poetry and poetics, including attention to texts, words, forms, modes, and sub–genres. A variety of reinterpretations and critical reassessments is presented, driven by contemporary ideological interests, including questions of gender, selfhood, and body issues. The essays also reveal theoretical approaches informed by structuralism, post–structuralism, and deconstruction.