Part 1: Defining the Creative Economy Through Value
Chapter 1: Exploring Value in the Creative and Cultural Industries (Rachel Granger)
Chapter 2: Problematising Hidden Culture (Laura Parsons and Rachel Granger)
Part 2: The Creative Self
Chapter 3: Defining Excellence: Value in Creative Degrees (Pinky Bazaz)
Chapter 4: Problematising Philanthropy in the UK Cultural Sector (Jennie Jordan and Ruth Jindal)
Chapter 5: Value Definition in Sustainable (Textiles) Production and Consumption (Claire Lerpiniere)
Chapter 6: A Cloth to Wear: Value Embodied in Ghanaian Textiles (Malika Kraamer)
Part 3: Collective Creative Spaces and Processes
Chapter 7 :Intercultural Entrepreneurship in Creative Place-Making (David Rae)
Chapter 8: Co-creative Third Space, Maker Space and Micro Industrial Districts (Rachel Granger)
Chapter 9: Cultural and Creative Districts as Spaces for Value Change (Jennifer Garcia-Carrizo and Rachel Granger)
Chapter 10: Silent Design and the Business Value of Creative Ideas (David Heap and Caroline Coles)
Chapter 11: The Hidden Value of Underground Networks and Intermediaries in the Creative City (Rachel Granger)
Chapter 12: Value Transformation: From Online Community to Business Benefit (Tracy Harwood, Jason Boomer, and Tony Garry)
Chapter 13: Conclusion: Value Constructs for the Creative Economy (Rachel Granger)
Rachel Granger is Reader in Creative Industries Management at De Montfort University, UK. She specialises in the economic geography of creative industries, the performance of creative cities and on emerging technologies that facilitate and capture the value of the nuanced ecologies of creative work. Her current work focuses on creating value through creative spaces, including work on smart cities, third spaces and new models of creative regeneration.
The book provides a critical and integrative analysis of value as it pertains to different aspects of creative and cultural industries. The notion of 'value' – a frequently used but rarely considered term – is deconstructed and considered as a spatial and structural impact, an active resource and process, and as soft institutions and embodied forms which collectively create a space through which value is constructed and negotiated. This book consists of three main sections: normative valuation, value and transformation from interactions and process, and embodied value. Together the contributions assess what value means in the creative and cultural industries, how it is constructed and added through process, and the way in which it is embodied in people and shaped through and by social space. Especially relevant for postgraduate study and research in the creative and cultural industries where critical studies are key, this book is also relevant for multiple disciplines which occupy the creative and cultural fields.