Introduction. Part 1. Modernity 1. Analysing Modernity 2. What Moderniam was: Art, Progress and Avant-garde. 3. Modernity and Architecture 4. Modernity and the Uses of History: Understanding Classical Architecture from Botticher to Warberg 5. Projecting Modern Culture: 'Aesthetic Fundamentalism' and Modern Architecture 6. Modernity and the Question of Representation Part 2. Architecture 7. 'How is it that there is no Modern Style of Architrecture?' 'Greek' Thomson versus Gilbert Scott 8. 'A Complete and Universal Collection': Gottfried Semper and the Great Exhibition 9. The Interior as Aesthetic Refuge: Edmond de Goncourt's La Maison d'un Artiste 10. Timely Untimeliness? Architectural Modernism and the idea of the Gesamtkunstwerk 11. Le Corbusier and the Restorative Fragment at the Swiss Pavilion 12. The Concrete Memory of Modernity: Excerpts from a Moscow Diary Part 3. The City 13. Lidefonso Cerda and Modernity 14. 'To Knock Fire out of Men' Forging Modernity in Glasgow 15. The Expressionist Utopia 16. Walter Benjamin's Arcades Project: A Prehistory of Modernity 17. Impromptus of a Great City: Siegfried Kracauer's Strassen in Berlin Und Anderswo 18. Orpheus in Hollywood: Sigfried Kracauer's Offenbach Film Bibliography
Mari Hvattum is an architect specialising in nineteenth century architectural thinking. She is Senior Lecturer in architectural history and theory at the Oslo School of Architecture, Norway and Lecturer at Strathclyde University. Christian Hermansen is Guest Professor at the Oslo School of Architecture, Norway and Senior Lecturer at the Mackintosh School of Architecture