Towards a Philosophy of Digital Media

ISBN-13: 9783319757582 / Angielski / Twarda / 2018 / 278 str.

Alberto Romele; Enrico Terrone

Opis

This book uses the conceptual tools of philosophy to shed light on digital media and on the way in which they bear upon our existence.

Spis treści

Table of Contents

 

Alberto Romele and Enrico Terrone, Introduction.

 

Section 1 – Digital Media as Recording Devices

Bruno Bachimont, Between Formats and Data. When Communication Becomes Recording.

 

Maurizio Ferraris, From Capital to Documediality.

 

Janne Nielsen, Recording the Web.

 

Jacek Smolicki, You Press the Button, We Do the Rest.  Personal Archiving in Capture Culture.

 

Section 2 - Consequences of Digital Recording

Jos de Mul, Cognitive Space, Global Brains, and the Hive Mind. A Cognitive Evolutionary Account of Wikipedia.

 

Jacopo Domenicucci, Interpersonal Trust in an Age of Records.

 

Fanny Georges and Virginie Julliard, Digital Eternities.

 

Marta Severo, Safeguarding Without a Record? The Digital Inventories of Intangible Cultural Heritage.

 

Section 3 - Digital Media Beyond Recording

Stacey O’Neil Irwin, The Unbearable Lightness (and Heaviness) of Being Digital.

 

Galit Wellner, From Cellphones to Machine Learning. A Shift in the Role of the User in Algorithmic Writing.

 

Stefano Gualeni, A Philosophy of “Doing” in the Digital.

 

Alberto Romele, From Registration to Emagination.

O autorze

Alberto Romele is Postdoctoral Researcher at the ETHICS Lab of the Lille Catholic University, France. He has previously been Assistant Professor in modern and contemporary philosophy at the University of Burgundy, and Postdoctoral Research Fellow of the Portuguese national research agency (FCT) at the Institute of Philosophy of the University of Porto. His research focuses on hermeneutics, philosophy of technology, and theories of the digital.

Enrico Terrone is Postdoctoral Researcher at the Università di Torino, Italy, and Associate Researcher at Collège d’études mondiales, Paris, France. He was awarded a Fellowship in Bonn (Käte Hamburger Kolleg) and one in Paris (FMSH – Gerda Henkel Stiftung). His work ranges aesthetics, social ontology and philosophy of technology. His primary area of research is philosophy of film.