Introduction: Existential Presence and the Cinematic Image: Ethics and Emergence to Being in Film; Part I: The Otherness of Existence and “Spacious Temporality”: Delayed Cinema and Freedom; Chapter 1: Delayed Cinema and “The Space-Time of Freedom”: De Sica’s Bicycle Thieves (1948); Chapter 2: La Demora (2012); Chapter 3: Existence and Ethics in the Dardenne Brothers’ Two Days, One Night (2015); Part II: Western Spaces: Landscapes of Denial, Death, and Freedom; Chapter 4: El Viaje: Tommy Lee Jones and the Violent Times of the Mission to Mexico; Chapter 5: The American Way: Time, Death, and Resurrection in Iñárritu’s Western Masterpiece; Epilogue: Time, Spacing and the Body in Martin Scorsese’s The Age of Innocence (1993)