Acknowledgments; List of illustrations; Introduction: Accommodating Difference: The Filmic Representation of Theatre; Part I: Theatre, Interrupted: Strategies of Intermedial Embedment; Chapter 1: No Strings Attached: Framing Puppets in Movement; Chapter 2: Theatre, Memory, and the Framing Voice; Chapter 3: The Making and Unmaking of Theatre Rehearsals on Screen; Part II: Divided Attention: Intermedial Performers and their Split Audience; Chapter 4: Spectatorship by Proxy Meets Multimodal Performance; Chapter 5: Cinematic Monologues and Their Spectatorial Address; Epilogue; Bibliography; Index