Chapter 2 - The Gothic Vicenza. An empty city full of Palaces
Population and urban dimensions in mediaeval Veneto
The industrial city
Filling up Vicenza
The City of Palaces
Chapter 3 - Andrea Palladio's Method and Work
The search for a new visual identity for the city
The architect-director of the new city
Bays as a trigger for building the city
The bays of the Palazzo della Ragione
The advantages of the bay-module and Palladio's references
Piecemeal Planning in Palladio's work
Chapter 4 - Vicenza after Palladio
The other Palladios
Contemporary Vicenza
The Design of the World
Palladio Legacy
Marco Marino is an Associate Researcher at the Iuav University of Venice. He has been permanently collaborating with Professor Benno Albrecht since 2016 in his research activity on sustainable architecture. He is part of the "Urbicide Task Force" of the Iuav University of Venice which deals with studies and projects on the destruction and reconstruction of cities accomplished by natural and anthropic disruptions.
This book shows through historical data, diagrams and drawings, the design system of an Italian historic center, that of Vicenza, Italy. Vicenza is the result of an urban construction process that has as its model the invention of the Palladian design system. The main argument is how the architectural vision of Andrea Palladio shaped Vincenza to the city it is today. Vicenza is an example of a collective dream, an expression of the best Renaissance artistic culture, a classic example that a city can reform itself through intellectual activity.