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The Visual Divide Between Islam and the West: Image Perception Within Cross-Cultural Contexts

ISBN-13: 9781349928422 / Angielski / Miękka / 2019 / 232 str.

Hatem N. Akil
The Visual Divide Between Islam and the West: Image Perception Within Cross-Cultural Contexts Akil, Hatem N. 9781349928422 Palgrave Macmillan - książkaWidoczna okładka, to zdjęcie poglądowe, a rzeczywista szata graficzna może różnić się od prezentowanej.

The Visual Divide Between Islam and the West: Image Perception Within Cross-Cultural Contexts

ISBN-13: 9781349928422 / Angielski / Miękka / 2019 / 232 str.

Hatem N. Akil
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This book considers the ways in which Muslims view the way they are being viewed, not viewed, or incorrectly viewed, by the West. The book underscores a certain "will-to-visibility" whereby Muslims/ Arabs wish just to be "seen" and to be marked as fellow human beings. The author relates the failure to achieve this visibility to a state of desperation that inextricably and symmetrically ties visibility to violence. When Syrian and Palestinian refugees recently started refusing to be photographed, they clearly ushered the eventual but inevitable collapse of the image and its final futility. The photograph has been completely emptied of its last remaining possibility of signification. The book attempts to engage with questions about the ways in which images are perceived within cross cultural contexts. Why and how do people from different cultural backgrounds view the same image in opposing ways; why do cartoon, photographs, and videos become both the cause and target of bloody political violence - as witnessed recently by the deadly attacks against Charlie Hebdo in France and in the swift military response by the US, Jordan, France, and others to videotaped violence by ISIS.

Kategorie:
Nauka
Kategorie BISAC:
Science > General
Reference > General
Performing Arts > Film - History & Criticism
Wydawca:
Palgrave Macmillan
Język:
Angielski
ISBN-13:
9781349928422
Rok wydania:
2019
Wydanie:
2016
Ilość stron:
232
Oprawa:
Miękka
Wolumenów:
01
Dodatkowe informacje:
Wydanie ilustrowane

List of Figures

Introduction

Chapter One: Technologies of Seeing

Chapter Two: The Sound of the Revolution

Chapter Three: Colonial Gaze- Native Bodies

Chapter Four: The Boy Who Was Killed Twice

Chapter Five: The Martyr’s Vision

Chapter Six: Cinematic Terrorism

Endnotes

References

Hatem N. Akil teaches English at Seminole State College of Florida, USA. His work has been published in Theatre Life Journal and Cinema Life Journal. He was the founder of the Arab American IPTV, Mahjar TV, and Baraka World Music Series. Akil currently serves on the executive committee of the Global Arab/Arab American division of the Modern Language Association.

This book considers the ways in which Muslims view the way they are being viewed, not viewed, or incorrectly viewed, by the West. The book underscores a certain “will-to-visibility” whereby Muslims/ Arabs wish just to be “seen” and to be marked as fellow human beings.  The author relates the failure to achieve this visibility to a state of desperation that inextricably and symmetrically ties visibility to violence. When Syrian and Palestinian refugees recently started refusing to be photographed, they clearly ushered the eventual but inevitable collapse of the image and its final futility. The photograph has been completely emptied of its last remaining possibility of signification.

The book attempts to engage with questions about the ways in which images are perceived within cross cultural contexts. Why and how do people from different cultural backgrounds view the same image in opposing ways; why do cartoon, photographs, and videos become both the cause and target of bloody political violence – as witnessed recently by the deadly attacks against Charlie Hebdo in France and in the swift military response by the US, Jordan, France, and others to videotaped violence by ISIS.



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