Table of Contents AcknowledgementsReferences and AbbreviationsIntroduction
Career Breakthrough and Trajectory
Working Assumptions and Methodology
Performance Making
Contexualizations
Overview and Vectorisation
Chapter One: Monopolies of Self/ Terms of Endearment
Introduction: Stories and their Telling
Monologues, Performers, Audiences
Tiger Country
Rum and Vodka: No Man in the Mirror
The Good Thief: Degrees of Depravity
This Lime Tree Bower: Three Strikes Not Out
Port Authority: Last Resort Lineage
Come on Over: The Third Narrator?
Limelights, Spotlights, Lifelines
Conclusion
Chapter Two: Criminality and Caper Tragicomedy
Introduction: City of Capital/Capital City
I Went Down: On the Road to Nowhere?
Saltwater: Finders Keepers
The Actors: Infamy and Fortune
Deserving and Undeserving Rich/Poor
Conclusion
Chapter Three: Convergent Realities: Ghosts and the Uncanny
Introduction: For the Supernaturally Inclined
St Nicholas: The gift/thief of a Story
Shining City: Hiding in Plain Sight
The Eclipse: Eleanor/Lena
Paula: Immaculate Deception/Fatal Distraction
Conclusion
Chapter Four: Apocalyptic Dispossessions
Introduction: Safe Houses and Parallel Universes
The Birds: Unfitting Survival
The Night Alive: The Banks are Bust
The Veil: Gothic Dominoes
The Girl from the North Country: The Great Escape
Conclusion
Chapter Five: Season’s Greetings
Introduction: Christmases Past
Persistent Overlaps and Evolutions
Dublin Carol: Till Life Do Us Part
The Seafarer: Hook, Line and Sinker
Seasonal Raptures
Conclusion
Chapter 6: Conspicuous Communities
Introduction: A Pastoral Sensitivity
The Weir: Sleight of Register/ Sleight of Consciousness
The Story Realm
Relational Mismatches
Your Round
Conclusion
Critical PerspectivesConor McPherson in ConversationConor McPherson’s Haunted Women: The Weir, The Veil, and Paula
Lisa Fitzpatrick
Narrativity and the Narrator Figure in Conor McPherson’s Port Authority, The Veil, and Girl from the North Country
Maha Alatawi
“You know?”
Ben Brantley
Conclusion
Quantum States
Convergences
ChronologyNotesFurther ReadingsNotes on ContributorsIndex