Bibliografia Glosariusz/słownik Wydanie ilustrowane
It makes an important contribution to the study of Netherlandish drawings and other media, to the history of sixteenth-century monastic patronage, and to the understanding of the history of trade, collecting, and the international transport of sixteenth-century Netherlandish art works in the nineteenth and early twentieth centuries. In addition, the authors highlight the importance of stained-glass design in the career of a major figure, Pieter Coecke van Aelst. By
integrating stained glass into the wider context of painting, drawing, and printmaking of the period, this excellent study helps clarify our view of the Netherlands in the first half of the sixteenth century, and will be of great interest to all scholars of Northern European art.
Yvette Vanden Bemden is a researcher for the study of stained glass in Belgium for the publication of volumes of the Corpus Vitrearum. She is member and former president of the Belgian committee of the Corpus Vitrearum Belgique-België and a member of the Royal Academy of Sciences, Letters and Arts of Belgium.
Isabelle Lecocq is the chef de travaux at the Institut royal du Patrimoine artistique, Brussels, initially in the department for conservation/restoration, now in the Documentation Department - Art History Research and Inventory Unit. She is the Secretary of the Corpus Vitrearum Belgique-België; Secretary of The Royal Academy of Archaeology of Belgium; and a scientific collaborator to the University of Liège (Faculty of Philosophy and Letters, Department of Historical
Sciences. Art History and Archaeology of Modern Times).