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In this book, Taplin looks for clues to Aeschylus's stagecraft in the texts of the plays themselves, analyzing the exits and entrances that occur throughout his works.
'This substantial and original work of scholarship is essential for anyone who wants to gain a serious understanding of Greek tragedy in performance. It is the combination of the attempted reconstruction of the stage-action with sustained, perceptive reading of the plays in the light of this reconstruction that gives this study its specific value.'
Christopher Gill, University of Exeter, Theatre Research International Autmun '90