The Shakespearean World

ISBN-13: 9781032179186 / Angielski / Miękka / 2021 / 680 str.

Jill L. Levenson; Robert Ormsby

Opis

This book offers global coverage of topics central to Shakespeare studies while also extending critical debate in new directions. Essays situate Shakespeare’s world and what the world is because of him, considering how various disciplines and critical discourses have received, or engaged with, the phenomenon of "Shakespeare." Fields such as educ

Spis treści

Introduction by Jill L. Levenson and Robert OrmsbySection 1: Shakespeare on Stage Since the Late Seventeenth Century1. Staging Shakespeare in England Since the RestorationKathryn Prince2. Shakespeare on Stage since the Late Seventeenth CenturyMartin Procházka, Marta Gibinska and Florence March3. Shakespeare on American StagesJames C. Bulman4. Shakespeare in Latin America: Appropriation, Politics, and Performance PracticesMaria Clara Galery and Stegh Cammati5. Middle Eastern ShakespeareMargaret Litvin, Avraham Oz and Parviz Partovi6. Shakespeare in AfricaSandra Young7. Interacting with Naturalism: East Asian Shakespeare PerformancesYong Li Lan8. Kissing and Drowning The Book: Shakespearean Theatre in the AntipodesRob Conkie and Nicola HylandSection 2: Shakespeare on Film9. Framing the Theatrical: Shakespearean Film in the UKPeter Kirwan10. Shakespeare in Film: Continental EuropeMariangela Tempera11. The Cloud Capped Towers and the Charcoal Sketch: Shakespeare on Film in North AmericaSamuel Crowl12. Shakespeare on Film in AsiaAlexa Huang13. Shakespearean Cinema and the Rest of the WorldMark Thornton BurnettSection 3: Shakespeare in the Arts beyond Drama and Performance14. The Subject of Shake-speares Sonnets and Afterlife in Lyric PoetryPeter Robinson15. Shakespeare and the Novel: "For that which had been lost was found, and so on"Jane Kingsley-Smith16. In Search of Shakespeare’s BiographyKatherine Scheil17. Interpreting Shakespeare through the Visual ArtsJim Davis18. The Shakespearean World of MusicChristy Desmet and David SchillerSection 4: Shakespeare in Everyday Life19. Shakespeare and Education: the Making of an Unlikely Marriage Kate Flaherty20. Conjuring Shakespeare for Young Audiences through Fairy Tales, Fable, and FantasyNaomi J. Miller21. Shakespeare in Amateur ProductionStephen Purcell22. "Prithee, Listen Well": The Case for Audio ShakespeareMichael P. Jensen23. Sticky or Spreadable? Shakespeare and Global TelevisionSusanne Greenhalgh24. Shakespearean Tourism: From National Heritage to Global AttractionRobert Ormsby25. "Within this wooden [2.]O": Shakespeare and New Media in the Digital AgeBrett D. Hirsch and Michael BestSection 5: Shakespeare and Critical Practice26. Shakespeare’s Texts and EditionsEugene Giddens27. Shakespearean Archives: Context, Categories, and the Containment of ChaosChristie Carson28. Shakespeare’s Language: An Eventful AfterlifeKeith Johnson29. Shakespeare and PhilosophyPeter Holbrook30. Political Approaches to ShakespeareHugh Grady31. Religion, Secularity, and ShakespeareArthur F. Marotti and Ken Jackson32. Shakespeare and Psychology: "Who’s There?"Murray M. Schwartz and David Willbern33. Shakespeare and Early Modern Race Studies: An Overview of the FieldJason Demeter and Ayanna Thompson34. New Economies of Gender and Sexuality: Rereading the Shakespearean BodySusan Bennett and Nicole Edge35. Shakespeare, Ecology, and EcocriticismRandall Martin36. The Shakespearean Legal ImaginaryKaren Cunningham

O autorze

Jill L. Levenson is Emeritus Professor of English at Trinity College, University of Toronto, Canada, and is an honorary vice president of the International Shakespeare Association.

Robert Ormsby is Associate Professor of English at Memorial University of Newfoundland, Canada.