This is an astonishingly brilliant first book by one of the world's best new philosophical talents. Prepare to enter an entire world of watery pleasures by a mind that has the fluidity, tidal mobility and dread abysses of the oceans."
Simon Critchley
11 - 29 Meta-hodos: A Note on Method (Wu Yi)31 - 53 Chapter 1: Plato's 'Odyssey': Philosophy as Memory Theatre (Wu Yi)55 - 83 Chapter 2: Helen (Wu Yi)85 - 107 Chapter 3: Times New Roman: Augustan Strategies of Re-territorialization and Re-founding (Wu Yi)109 - 130 Chapter 4: Homeward Double Bound: Tragicomic Mimesis in Plautus' 'Amphitryo' (Wu Yi)131 - 154 Chapter 5: The Maritime Modernity of 'Hamlet' (Wu Yi)155 - 174 Chapter 6: Kant on the Voyage of Human Reason (Wu Yi)175 - 200 Chapter 7: Between the Acts (Wu Yi)201 - 219 Chapter 8: Husserl on the Task of Philosophy as Historical Reflection (Wu Yi)221 - 242 Chapter 9: To the Lighthouse: Meditations on a Project (Wu Yi)243 - 252 Concluding Unphilosophic Postscript: Forgetting of Time Un-lost (Wu Yi)253 - 254 Acknowledgments (Wu Yi)255 - 258 A Select Bibliography (Wu Yi)259 - 263 Index (Wu Yi)
Wu Yi is a researcher in continental philosophy whose work intersects with world literature and global history. Her research seeks alternative interpretive possibilities to western philosophy understood as a form of historicity. She is currently working on her second book project, The Concept of the Maritime: The Sea as Theory. Yi holds a Ph.D. from the New School for Social Research and an M.Phil. from the University of Hong Kong, both in philosophy. She is currently a postdoctoral fellow at the Society of Fellows, Dartmouth College, where she is also a research associate in the Comparative Literature Program and the Consortium in Race, Migration and Sexuality.