The Routledge Handbook of Music Signification

ISBN-13: 9781032172798 / Angielski / Miękka / 2021 / 428 str.

Esti Sheinberg; William P. Dougherty

Opis

The Routledge Handbook of Music Signification captures the richness and complexity of the field, presenting 30 essays by recognized international experts that reflect current interdisciplinary and cross-disciplinary approaches to the subject.

Spis treści

IntroductionEsti Sheinberg and William P. DoughertyMusic Signification and Philosophy"Musik ist das nicht": On Romantic Incomprehensibility in Chopin Jamie Liddle From Semio-ethics to a Semiotics of Speech in Music and Musicology: Theoretical (and Utopian) Projections Christine EsclapezMusic and RealityBen CurryFrom Ursatz to Urzemic: Avenues for Theories and Analyses of Music SignificationEero TarastiMusic Signification and SemioticsThe Musical SignifierLawrence KramerBarthes’s The Grain of the Voice RevisitedAnne KauppalaBritten and Stravinsky’s Neoclassical Opera: Signs, Signification, and SubjectivityNicholas P. McKayFundamental Concepts for the Semiotic Interpretation of Musical Meaning: A Personal JourneyRobert HattenMusic Signification and Topic TheoryPatterns and Topics as Elements of Signification in Late Eighteenth-Century MusicLauri Suurpää"Mad Day" and the "March of Bacchus": Figaro in Mahler’s Third Symphony Lóránt PéteriTopics and Stylistic Register in Russian Opera, 1775–1800Johanna FrymoyerShe Spins and She Sighs: The Spinning-Wheel Topic and the Lamentation of the Romantic FemaleChia-Yi WuCharles Griffes’s Xanadu: A Musical Garden of Opposites Taylor A. GreerMusic Signification and NarrativeMusic Narrative: Theory, Context, Subjectivity Byron AlménMotivic Linkage and Actantial Pairing in Britten’s OperasMichael BakerThe Narrative Rhetoric of Beethoven’s Fifth SymphonyAnatole LeikinFrom Music Signification to Musical Narrativity: Concepts and AnalysesMárta GrabóczMusic Signification and SocietyMusical Vernaculars and their Signifying TransformationsMarina RitzarevMultimodal Reinforcement and Worlds of Sense: A Political Approach to Musical EmotionsOscar Hernández-SalgarReading Meaning In and Out of Music from Theresienstadt: The Case of Pavel HaasMartin CurdaFKA twigs and Popular Music Signification: The Challenge of Fluid Clarity William EchardLost Innocence: Signifying East, Signifying WestEdward CampbellMusic Signification and Emotion, Cognition and EmbodimentFour Flavors of Pre-Modern EmotionMichael SpitzerMusic as Experience: Musical Sense-making between Step-by-Step Processing and Synoptic OverviewMark ReybrouckMelody as RepresentationDavid LidovMusic Signification and EducationMusical Semiosis as a Process of Learning and GrowthJuha OjalaA Pragmatic Map of Music Signification for Music Analysis CoursesJoan Grimalt Music Signification and IntermedialityThe Operatic Principle: Negotiating Contradictory Demands of SignificationBálint VeresPianto as a Topical Signifier of Grief in Contemporary Operas by John Adams, Thomas Adès, and Kaija SaariahoYayoi Uno EverettMusical Ekphrasis: The Evolution of the Concept and the Breadth of its ApplicationSiglind BruhnBibliography

O autorze

Esti Sheinberg published articles on music signification; Irony, Satire, Parody and the Grotesque in the Music of Shostakovich (Ashgate, 2000); edited Music Semiotics: A Network of Significations—in Honour and Memory of Raymond Monelle (Ashgate, 2012), and Anatoly Milka’s Rethinking J. S. Bach’s The Art of Fugue (Ashgate-Routledge, 2016).

William P. Dougherty, Ellis and Nelle Levitt Professor of Music Theory and Composition at Drake University, has published articles on music semiotics and on the semiotics of the art song. In particular, he has explored settings of the Mignon Lieder from Goethe’s Wilhelm Meisters Lehrjahre.