The Routledge Companion to Sound Studies

ISBN-13: 9780367659745 / Angielski / Miękka / 2020 / 440 str.

Michael Bull

Opis

The Routledge Companion to Sound Studies provides both upper level students and researchers with a comparative and historically informed understanding of the workings of sound in culture, while also mapping potential future directions for research in the field.

Spis treści

Introduction: Sound Studies and the Art of Listening

Section 1 Introduction: Sonic Epistemologies and Debates

1. Holger Schulze: Sound As Theory 1863 – 2014: From Hermann von Helmholtz to Salome Voeglin











2. Mark Grimshaw: What is Sound Studies?











3. David Howes: Embodiment and the Senses











4. Nina Sun Eidsheim: Multisensory Investigation of Sound, Body and Voice.











5. Neil Verma: The Return to Sound Aesthetics











6. Christabel Stirling: Sound, Affect, Politics










Section 2Introduction: Sonic Conflicts, Concepts and Culture












7. Richard Rath: Silence and Noise











8. Karin Bijsterveld: Sound Waves of Protest: Noise Abatement Movements











9. David Goodman: Propaganda and Sound











10. Alex Corey: Sounding Out Racial Difference











11. Marie Thompson: Gendered Sound











12. Amanda Cachia: Mapping Hearing Impairment: Sound/Tracks in the Corner Space











13. Jonathan Pieslak: Sound and terrorism: Exploring the World of the Islamic State










Section 3Introduction: Sonic Spaces and Places









14. John M. Picker: The Turning of a Word: Soundscape to Soundscapes











15. Tim Edensor: The Sonic Rhythms of Place











16. Bennett Hogg: Geographies of Silence











17. Meri Kyto: Public and Private Space: Sound Transformations











18. Yiu-Fai Chow: Diaspora as Method. Music as Hope










Section 4 Introduction: Sonic Skills: Finding, Recording and Researching.









19. Salome Voeglin: Technologies of Sound Art











20. Carolyn Birdsall: Found in Translation: Recording, Storing and Writing of sounds











21. Shannon Mattern: Sonic Archaeologies











22. Blake Durham: Curating Online Sounds











23. Tom Rice: Ethnographies of Sound











24. Frauke Berendt: Soundwalking











25. Paul Nataraj: Surface Tension: Sheena and Bowie’s ‘Station to Station’ as Palimpsest.










　





Section 5 Introduction: Technology, Culture and Sonic Experience.












26. Julian Henriques and Hillegonda C Rietveld: Echo











27. Thor Magnusson: Sound and Music in Networked Media











28. Louis Neibur: Ordinary and Avant-Garde Sound in British Radio’s Early Years.











29. Jacob Smith: Remastering the Recording Angel











30. Alex Russo: Radio Sound











31. Tom Artiss: Structures of Sonic feeling.











32. Cara Wallis: Gender and the Telephonic Voice.










Section 6 Introduction: Sound Connections









33. James Mansell: Ways of Hearing: Sound, Culture and History





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O autorze

Michael Bull is Professor of Sound Studies at the University of Sussex. His works include Sounding Out the City: Personal Stereos and the Management of Everyday life (2000) and Sound Moves: iPod Culture and Urban Experience (2007) He has just completed a monograph on Sirens and is presently writing a monograph on Reinterpreting the Sounds of World War 1. He is the co-founding editor of the journals Senses and Society and Sound Studies (both with Routledge) and is editor of the book series The Study of Sound.