The Routledge Companion to Digital Humanities and Art History

ISBN-13: 9781032336398 / Angielski / Miękka / 2022 / 524 str.

Kathryn Brown

Opis

The Routledge Companion to Digital Humanities and Art History offers a broad survey of cutting-edge intersections between digital technologies and the study of art history, museum practices, and cultural heritage.

Spis treści

List of Figures;  List of Table;  List of Contributors;  Introduction (Kathryn Brown);  Part I: Histories and Critical Debates;  1 Digital Methods and the Historiography of Art (Paul B. Jaskot);  2 Blind Spot: Information Visualization and Art History (Johanna Drucker);  3 The Digital Transformation of Art History (Harald Klinke);  4 Feminist Digital Art History (Kathryn Brown and Elspeth Mitchell);  5 Slow Digital Art History and KUbism: Or, Situation Awareness and the Promise of Open-World Games (Koenraad Brosens, Bruno Cardoso, and Fred Truyen);  Part II: Archives, Networks, and Maps;  6 Tangled Metaphors: Network Thinking and Network Analysis in the History of Art (Matthew D. Lincoln);  7 Digital Humanities for a Spatial, Global, and Social History of Art (Béatrice Joyeux-Prunel);  8 Mapping Paintings, or How to Breathe Life Into Provenance (Jodi Cranston);  9 Qualitative Approaches to Network Analysis in Art History: Research on Contemporary Artists’ Networks (Sanja Sekelj);  10 Mapping Senufo: Mapping as a Method to Transcend Colonial Assumptions (Susan Elizabeth Gagliardi);  11 X-Reception: Re-mediating Trans- Feminist and Queer Performance Art (T.L. Cowan);  12 Digital Methods and the Study of the Art Market (Pamela Fletcher and Anne Helmreich);  13 Noise Management in the Archival Ecosystem: Debating Principles for Classification (Anna Dot and Pablo Santa Olalla);  Part III: Museums: Real, Virtual, and Augmented;  14 Digital Imaging Projects for Asian Art and Visual Culture: Transcultural Mediations and Collaborations (Katherine R. Tsiang);  15 A Field Guide to Digital Surrogates: Evaluating and Contextualizing a Rapidly Changing Resource (Emma Stanford);  16 A Service-Orientation and Open-Source Approach to Developing Virtual Museums (Martin White and Ben Jackson);  17 Art History, Heritage Games, and Virtual Reality (Erik Champion and Anna Foka);  18 Art With a Lifespan: Digital Technologies and the Preservation of BioArt (Christl Baur);  19 The Expanding Role of Digitized Collections: The Medici Archive (Alessio Assonitis);  20 Digital Languages for Art History: Audience Engagement, Virtual and Augmented Reality (Stefania De Vincentis and Luca Nicolò Vascon);  Part IV: Computational Techniques for Analyzing Artworks;  21 Curation, Content, Creation: Computer Approaches to the Fine Arts (Javier de la Rosa and Juan-Luis Suárez);  22 Computerized Analysis of Paintings (James Z. Wang, Baris Kandemir, and Jia Li);  23 Digital 3D Modeling for the History of Art (Amy Jeffs);  24 Metadata, Material Culture, and Global Art History (Robert Wellington);  25 Image Processing and Computer Vision in the Field of Art History (Nuria Rodríguez-Ortega);  26 Pointers and Proxies: Thoughts on the Computational Modeling of the Phenomenal World (Alison Langmead and David Newbury);  27 Approaching Aby Warburg and Digital Art History: Thinking Through Images (Amanda Du Preez);  28 Analyzing Gesture in Digital Art History (Leonardo Impett);  29 Digital Techniques for the Study of Portuguese Azulejos (Glazed Tiles): Between Alice’s White Rabbit and the Mad Tea Party (Rosário Salema de Carvalho, Rafaela Xavier, and Inês Leitão);   Part V: Digital Resources, Publication, and Education;  30 The Database of Modern Exhibitions (DoME): European Paintings and Drawings 1905–1915 (Christina Bartosch, Nirmalie Mulloli, Daniel Burckhardt, Marei Döhring, Walid Ahmad, and Raphael Rosenberg);  31 The Art-Historical Catalogue in the Digital Era (Anne Collins Goodyear);  32 Digital Provenance, Open Access, and Data-Driven Art History (Anne Luther);  33 Research, Process, Publication, and Pedagogy: Reconstructing the World’s Columbian Exposition of 1893 (Lisa M. Snyder);  34 Social Media in the Art History Classroom (Lauren Jimerson and Allison Leigh);  Index

O autorze

Kathryn Brown is a lecturer in art history and visual culture at Loughborough University, UK.