Acknowledgements
1. The Politics of Nordsploitation
Periodization: Exploitation and Nordic Exploitation
Defining Nordsploitation
Theories of Exploitation
The complexity of Nordsploitation
The structure of the book
References
2. A Pre-1970s History of Nordic Exploitation
Exploitation as art/art as exploitation
Documentary images with exploitative elements
The Absence of Exploitation
Conclusion
References
3. Exploitative Violence and Pornography in the 1970s
Conclusion
References
4. Moral Panic, VHS Censorship, and Counterforces Fan Cultures 1980-1999
The Video Violence Moral Panic in Sweden
Moral Panic within the Hour
A Twenty-Year Long Aftermath
VHS censorship in the bigger picture: extremes and counterforces
Conclusion
References
5. The local and the transnational in Nordic exploitation cinema of the 1980s
The Viking Trilogy: Exploiting cultural history through genre film
Nordic emulations of blockbusters
The Visitors
Visa Mäkinen and exploitation cinema from the margins
Exploitation cinema goes mainstream
Global Exploitation: Artic Heat (aka Born American)
Conclusions
References
6. The Entertainment Violence Factory: Mats Helge Olsson’s Action Films of the 1980s
The Beginnings: Working within the Swedish Film Industry as an Outsider
The Entertainment Violence Factory: The Ninja Mission and the Marketplace for Nordic Exploitation
At Work: Production and Exploitative Themes
Genre aspirations
Olsson’s stars
Conclusion
References
7. The Rise of Transnational Exploitation in the 1990s-2000s
Nordic exploitation in the 1990s: film genres in transition
Going Excessive: Nazi Zombies from Norwegian mountains
The 1990s to 2010s: film cultures in transition
Artistic exploitation
Conclusions
References
8. Fanchising and Crowdfunding: Nordic Nazisploitation in the digital media environment of the 2000s
The Nazi on film
Nordic Nazisploitation: Dead Snow
Comic Nazis: Iron Sky
Carving space for neo-Nazisploitation
Social media and Dead Snow
Balancing ideologies
Ideology strikes back
Conclusion: the Fanchise
References
9. Kung Fu cops and killer bunnies: proximity and distance strategies in Nordic exploitation film, 2000-2019
Contemporary patterns
Policy incentives: the Nordic genre support programmes
Going lo-fi
Flirting with the mainstream
Killer bunnies on the loose
Conclusion
References
10. Conclusion: beyond the art house
References
Index