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This book situates Louis Zukofsky's poetics (and the lineage of Objectivist poetics more broadly) within a set of ethical concerns in American poetic modernism.
The Poetics of the Limit...does a stellar job of presenting Zukofsky's work as a living body of art in which the ethics, politics, art, and science of the century coalesce.' - Codrina Cozma, Journal of American Studies
Introduction: Ethics and Objectivist Poetics The Emergence of 'Objectivist' Poetics: Aesthetics and Politics in the USA, 1910-1930 'Words ranging forms': The Crises of Modernism in 'A'-1 to 'A'-6 The 'Negative Dialectics' of Louis Zukofsky's 'A' 'A'-9: A Labor of Love, or a Love of Labor? Ethos or Ontos? Modes of Subjectivity in Levinas and Zukofsky 'Figuring it out' and Doubling 'A'-gain: Language and Otherness in 'A'-12 to 'A'-23 'Things at the limits of reason': George Oppen's Materialist Ethics Conclusion: Reading Language Writing
TIM WOODS has taught at King Alfred's College, Winchester, and the University of Wales, Aberystwyth, where he is currently senior lecturer in English and American Studies. He has co-edited 'I'm telling you stories': Jeanette Winterson and the Politics of Reading (Rodopi, 1998), Critical Ethics: Text, Theory and Responsibility (Macmillan, 1999), The Ethics in Literature (Macmillan, 2000), and authored Beginning Postmodernism (Manchester, 1999) and Who's Who in Twentieth-Century Fiction (Routledge, 2001). Articles have appeared in Parataxis, English, Rethinking History, The Poet's Voice, and Textual Practice. He is currently completing a monograph on African Literatures in English
Woods, Tim Peter Middleton is Senior Lecturer in English at t... więcej >