covers an enormous amount of theatrical territory ... [which] should enrich our understanding and appreciation of the subject. Theatre in Ireland is well served by this imposing volume.
Nicholas Grene is Emeritus Professor of English at Trinity College, Dublin. He has published extensively on a range of topics, including Irish theatre, Shakespeare, Yeats, Shaw and Indian literature in English. His impact on Irish theatre research extends back to Synge: A Critical Study of the Plays (1975); his study of modern Irish theatre, The Politics of Irish Drama (1999) has been highly influential, and his most recent book is Home on the Stage (2014). He is a founding director of both the Synge Summer School and the Irish Theatre Diaspora Project. He is a Member of the Royal Irish Academy.
Chris Morash is Seamus Heaney Professor of Irish Writing at Trinity College, Dublin; he was previously Professor of English in Maynooth University. Born in Canada, he has published widely on Irish literature and cultural history, including Writing the Irish Famine (1996), A History of Irish Theatre 1601-2000 (2002), A History of the Media in Ireland (2009), and Mapping Irish Theatre (with Shaun Richards, 2013). His History of Irish Theatre won the Theatre Book Prize in 2003, and is widely regarded as the standard history in the field. He is a Member of the Royal Irish Academy.