The Original Method Actors: The Lives and Legacies of James Dean, Marlon Brando, and Montgomery Clift

ISBN-13: 9781542769297 / Angielski / Miękka / 2017 / 144 str.

Charles River Editors

Opis

*Includes pictures *Includes the actors' quotes about their lives and careers *Includes online resources and a bibliography for further reading It would be no exaggeration to say that James Dean has been more mythologized than any other actor in history, a development due more to his off-screen personality and conduct than the films he actually starred in. Much of Dean's appeal derives from his humble and ordinary origins, and audiences are drawn to the romance of the Indiana farm boy who catapulted to the top of the motion picture industry in a single year - the same year that would see him die. Of course, James Dean remains well-known for being anything but humble and ordinary. As famous as his films are, Dean's story is inextricably tied to his love for racing cars and his death in a high speed car crash. And though Dean was already wildly famous at the time of his death, there is no question that his death only enhanced his fame. One study found evidence of a "James Dean effect," which concluded that a star's popularity benefits if the star dies young instead of living longer and losing luster. By dying young, Dean actually ensured that his name would remain famous, and his appeal has transcended generations. Marlon Brando. Few names in the acting profession evoke such a strong, almost visceral reaction. Over the course of his long, prolific career, he was considered perhaps the greatest actor of the 20th century as well as one of the most complicated and misunderstood. Uniquely able to be both emotionally charged and technically constrained in the same performance, he single-handedly changed the direction of not only the American style of acting, influencing successors such as Robert De Niro, Al Pacino and even Johnny Depp, but the acting profession on a global scale. His iconic interpretations of characters such as Stanley Kowalski (A Streetcar Named Desire), Terry Malloy (On the Waterfront) and Vito Corleone (The Godfather) have been forever burned into the collective memory of film and theatre aficionados, scholars and critics for their immense passion, rage, love, defiance, vulnerability, cruelty and tenderness - basically, the full spectrum of the human condition. With several Oscars and Golden Globes to his name, Brando's contributions remain the gold standard of the acting craft, and the American Film Institute has listed him as the 4th greatest screen legend in history. In the World War II and post-war era, the figure of the male hero who was previously presented as an invulnerable, single-minded, and to a larger degree monolithic and unknowable warrior, began to develop into a more multi-faceted and intriguing character in the most important Hollywood films. This was to signal, and in a sense impel the same change in American society that has always mirrored itself after its cinematic models. Much like the era of Austen and the Bronte sisters, the American hero softened to resemble the older British one, vulnerable and uncertain, but still passionate and determined. In Edward Montgomery Clift, the public not only discovered an unusually gifted actor, but a persistent and stoical anti-authoritarian, an extreme non-conformist in a conformist age and a personal enigma who has remained the target of prying Hollywood reporting since his death. Described as the first "method" actor in Hollywood, he was to co-create and develop this lonely, unwilling and uncertain American hero, filled with deep personal ambiguities, a conflicting will, vulnerable and sensitive. In his eventual arrival to Hollywood following a lengthy period of resistance, he not only embodied this new male model, but inspired the next generation of fascinating characters who didn't "fit in," such as friends Marlon Brando and James Dean. He added to this screen persona a sexual dualism that, while not apparent on the surface, changed the way leading men were perceived by the late 1940s.