A Head or a Cannonball? An Introduction to the Object of Comedy – Jamila M. H. Mascat and Gregor Moder
Section 1 – Comic Philosophy
Chapter 1. The uncanny and the comic. Freud avec Lubitsch – Mladen Dolar
Chapter 2. How They Fought – Sandra Laugier
Chapter 3. Hegel and the Misadventures of Consciousness. On Comedy and Revolutionary Partisanship – Jamila M. H. Mascat
Chapter 4. The Aborted Object of Comedy & the Birth of the Subject. Socrates and Aristophanes’ Alliance – Rachel Aumiller
Section 2 – Comic Psychoanalysis
Chapter 5. The Three Moments of Comedy – Robert Pfaller
Chapter 6. From Objects of Desire to Objects of Comedy in Chaplin’s Modern Times – Alfie Bown
Chapter 7. Where Does Dirt Come From? – Alenka Zupančič
Section 3 – Screening Comedy
Chapter 8. Seriously Funny: Comedy and Authority in The Boss of it All – Benjamin Noys
Chapter 9. Stoicism, Causality, Divine Providence and Comedy in Buster Keaton’s The General – Lisa Trahair
Chapter 10. Bad Cops – Todd McGowan
Section 4 – Performing Comedy
Chapter 11. Richard Pryor, the Conedian – Alexi Kukuljevic
Chapter 12. Comedy as Performance – Gregor Moder
Chapter 13. After Death Comes Humour. On the Poetics of Alexander Vvedensky – Keti Chukhrov
Chapter 14. Asking for It. An exchange – Cassandra Seltman and Vanessa Place
Chapter 15. Of Organic Comedies. Interview with Romeo Castellucci – Jamila M.H. Mascat
Notes on Contributors
Abstracts
Index
Jamila M. H. Mascat is Lecturer in Gender and Postcolonial Studies at Utrecht University, the Netherlands. She is the author of Hegel in Jena: The Critique of Abstraction (in Italian, 2011) and currently preparing a book on partisanship and political engagement.
Gregor Moder is Assistant Professor at the University of Ljubljana, Slovenia, where he teaches philosophy of art. He is the author of Comic Love: Shakespeare, Hegel, Lacan (in Slovene, 2016) and of Hegel and Spinoza: Substance and Negativity (2017).