The New Oxford Book of Carols

ISBN-13: 9780193533226 / Angielski / Nuty / 1998 / 744 str.

Hugh Keyte

Opis

Edited by early music experts Hugh Keyte and Andrew Parrott, this anthology of Christmas carols is the most comprehensive collection ever made, spanning seven centuries of caroling in Britain, continental Europe, and North America. Containing music and text of 201 carols, many in more than one setting, the book is organized in two sections: composed carols, ranging from medieval Gregorian chants to modern compositions, and folk carols, including not only traditional Anglo-American songs but Irish, Welsh, German, Czech, Polish, French, Basque, Catalan, Sicilian, and West Indian songs as well. Each carol is set in four-part harmony, with lyrics in both the original language and English. Accompanying each song are detailed scholarly notes on the history of the carol and on performance of the setting presented. The introduction to the volume offers a general history of carols and caroling, and appendices provide scholarly essays on such topics as fifteenth-century pronunciation, English country and United States primitive traditions, and the revival of the English folk carol. The Oxford Book of Carols, published in 1928, is still one of Oxford's best-loved books among scholars, church choristers, and the vast number of people who enjoy singing carols. This volume is not intended to replace this classic but to supplement it. Reflecting significant developments in musicology over the past sixty years, it embodies a radical reappraisal of the repertory and a fresh approach to it. The wealth of information it contains will make it essential for musicologists and other scholars, while the beauty of the carols themselves will enchant general readers and amateur songsters alike.

Recenzje

The major new resource this Christmas is the long-awaited paperback edition of The New Oxford Book of Carols . . . This is far more than just another carol book . . . In addition to OUP's always superb musical typography, there are comprehensive and well-researched footnotes and the extensive introduction includes a fascinating potted overview of the development of the carol genre in its social setting . . . This is not only an elegant tome but a truly indispensable resource for all who take a serious and cerebral interest in this fascinating aspect of a continually developing choral tradition.