In this monumental study of the late medieval motet, Margaret Bent has brought together studies of a range of individual motets, English, French, and Italian, seeking through close reading to tease out the range of strategies employed to serve the uniqueness of these technically advanced, prestigious, compositions. These 32 essays—all now updated or offered for the first time—rest on a lifetime's study of compositional craft. Their richness cannot be
overestimated.
Margaret Bent is an emeritus Fellow of All Souls College, Oxford, and a Fellow of several international societies and academies. Between 1975 and 1992 she taught at Brandeis and Princeton universities and served as President of the American Musicological Society. Her numerous publications range over English and continental music, repertories, notation, and theory of the fourteenth to sixteenth centuries. Her editorial publications include critical
editions of Dunstaple, Ciconia, English masses, and a Rossini opera. Her many honours include the C.B.E. and three honorary degrees. In 2018, she received the inaugural Adler prize of the International Musicological Society.