The Methuen Drama Companion to Performance Art

ISBN-13: 9781350057579 / Angielski / Twarda / 2020 / 320 str.

Bertie Ferdman; Jovana Stokic

Spis treści

List of Illustrations Notes on Contributors Acknowledgements Part I – Introduction Squaring Performance Art Bertie Ferdman (City University of New York, USA) and Jovana Stokic (New York University, USA) Part II – Issues and Problems: Future Directions in Performance Art Research Reruns or New Turns Jovana Stokic (New York University, USA) Cross-disciplinarity and Antitheatrical Historiographies of Performance Art Bertie Ferdman (City University of New York, USA) Part III – Essays 1. How Performance Art Makes History: Artists’ Auto-histories of Happenings and Fluxus in the 1960s Heike Roms (University of Exeter, UK) 2. Queer Performativity: A Critical Genealogy of a Politics of Doing in Art Practice Amelia Jones (University of Southern California, USA) 3. Taking Up Instructions for Becoming Rebecca Schneider (Brown University, USA) 4. Caring for Black Corporealities: Experimental Black Performance Thomas deFrantz (Duke University, USA) 5. Between Contemporary Art and Performance: Dramaturgy and Flow Peter Eckersall (City University of New York, USA) 6. Acting Ethical: Performance Art Goes Public Malik Gaines (New York University, USA) 7. Compassionate Acts:Performance as Radical Care Nikki Cesare Schotzko (University of Toronto, Canada) 8. The Labor of the Artist, Feminist Practices, and Troubles with Infrastructure Bojana Kunst (University Giessen, Germany) 9. Gestural Study Sven Lütticken (Vrije Universiteit, Netherlands) 10. Stomaching It: Black Performance Art and Penetrating the Inscrutable Body Danielle Bainbridge (Northwestern, USA) 11. Performative Bodies and Artists/Spectators: The Case of Radical Latina and Latin American Women Artists in Exhibition Cecilia Fajardo-Hill (Independent Scholar, Venezuela) 12. Framing Live Art Lois Keidan (Live Art Development Agency, UK) 13. From the Institution of Performance to the Performance of Institutions Jonah Westerman (State University of New York, USA) and Catherine Wood (Tate Modern, UK) 14. Performance in the Age of the Technosphere Chris Salter (Concordia University, Canada) Part IV- Annotated Bibliography and Resources Eylül Fidan Akinci (Ghent University, Belgium) Index