The Light Inside: Abakuá Society Arts and Cuban Cultural History

ISBN-13: 9780367246525 / Angielski / Twarda / 2020 / 318 str.

David H. Brown

Opis

Originally published in 2003, The Light Inside is a ground-breaking study of an Afro-Cuban secret society, its sacred arts, and their role in modern Cuban cultural history. Enslaved Africans and creoles developed the Abakua Society, a system of men's fraternal lodges, in urban Cuba beginnings in 1836. Drawing on years of fieldwork in the country, the book's novel approach builds on close readings of dazzling Abakua altars, chalk-drawn signs, and hooded masquerades. It looks at the art history of Abakua altars, not only tracing changing styles but also how they evolve through cycles of tradition and renovation. The Light Inside reflects the essence of the artists' creativity and experience: through adornment, altars project the powerful spirituality of Abakua practice, an aesthetic strategy. The book also traces a biography of Abakua objects - their shifting forms and meanings - as they participated in successive periods of Cuban cultural history. The book constructs close rhetorical and visual analyses of changing representations of the Abakua, spanning nineteenth-century arts and letters, modern ethnographic texts, museum displays, paintings, and late twentieth century commercial kitsch. This interdisciplinary work combines art history, African Diaspora, cultural studies and cultural anthropology with Latin American.

Spis treści

List of Illustrations  Acknowledgements  Part I: "The Light Inside": Abakuá Society Arts and Modern Cuban Cultural History  Introduction: Meanings, Methods, and the Cultural Biography of Things Abakuá  2. The Abakuá Society and the African Society Diaspora  3. Abakuá Altar Arts: Ekue, Representation, and the Banner of Regla’s Efori Eñongo  4. Cloth and Signs: West African Ukara and the Iconography of Regla’s Efori Eñongo  5. Altars, Offices, and Multiple Meanings  6. "Symbolic Drums:" Innovations and Inventions  7. The Íremes and Their Sacos  Part II: El Nañígo "Graduates"  8. Pictures, Performances, and the Police: Changing Contexts for Costumbrista Arts  9. Struggle over Possession of the Secret: The Museuming of the Nañígos’ "Most Sacred Effects"  10. From Atavism to Modern Primitivism  11. From Primitivism to Folklore  12. We were Teaching How to Ask the Black Man About Very Private Personal Things: Afrocubana, the Triumph of the Revolution, and Socialist Folklore  13: "The Ethnographic Museum" and the Cuban Revolution  14. Conclusion: The Abakuá Society and the National Narrative  Notes  References  Index

O autorze

David H. Brown