The Language of Jane Austen

ISBN-13: 9783319891507 / Angielski / Miękka / 2019 / 182 str.

Joe Bray

Recenzje

"Joe Bray's book is a refreshing departure from this prescription. In it, Professor Bray proposes to reacquaint us with the sophistication and experimental nature of Austen's way with language, characterisation, and narrative technique through a series of close readings of key passages from her fiction using the analytic tools of modern stylistics. ... Joe Bray has written an interesting and informative study, a useful guide for students wishing to understand the texture of Austen's language." (Kathryn Sutherland, Cercles, cercles.com, February, 2019)

Spis treści

Introduction.

Chapter 1: Point of View.

Chapter 2: The Representation of Speech.

Chapter 3: The Representation of Thought.

Chapter 4: The Representation of Writing.

Chapter 5: Morality and Vulgarity.

Chapter 6: Balance and Disharmony.

Chapter 7: Literal and Figurative.

Conclusion: After Reading.

O autorze

Joe Bray is Professor of Language and Literature at the University of Sheffield, UK. He is the author of The Epistolary Novel: Representations of Consciousness (2003), The Female Reader in the English Novel (2009), The Portrait in Fiction of the Romantic Period (2016), and co-editor of, amongst others, The Routledge Companion to Experimental Literature (2012). 

Blurb

Joe Bray’s careful analysis of Jane Austen’s stylistic techniques reveals that the genius of her writing is far from effortless; rather he makes the case for her as a meticulous craftswoman and a radical stylistic pioneer. Countering those who have detected in her novels a dominant, authoritative perspective, Bray begins by highlighting the complex, ever-shifting and ambiguous nature of the point of view through which her narratives are presented. This argument is then advanced through an exploration of the subtle representation of speech, thought and writing in Austen’s novels. Subsequent chapters investigate and challenge the common critical associations of Austen’s style with moral prescriptivism, ideas of balance and harmony, and literal as opposed to figurative expression. The book demonstrates that the wit and humour of her fiction is derived instead from a complex and subtle interplay between different styles. This compelling reassessment of Austen’s language will offer a valuable resource for students and scholars of stylistics, English literature and language and linguistics.