The Impact of Co-Production: From Community Engagement to Social Justice

ISBN-13: 9781447330295 / Angielski / Miękka / 2017 / 248 str.

Aksel Ersoy

Opis

The Impact of Co-Production brings together scholars, artists, practitioners, and community activists to explore the possibilities for--and tensions of--social justice work through collaboration between communities and the academy. Amid a widespread institutional emphasis on increased involvement and co-production with the community, what can we expect when long-established community-oriented research practices collide with the day-to-day work of activism? How should we think about the key tenets and terms of that research, and the ongoing critique of them mounted by activists, artists, and other community members? Deploying case studies from the United Kingdom, Australia, Sweden, and Canada, and taking in universities, independent research organizations, and museums and galleries, this book breaks new ground in our understanding of the possibilities, and pitfalls, of co-production.

Spis treści

Introduction, Aksel Ersoy Chapter 1. Enabling Conditions for Communities and Universities to Work Together: a Journey of University Public Engagement, Marina Chang and Gemma Moore Chapter 2. Understanding Impact and Its Enabling Conditions: Learning From People Engaged in Collaborative Research, Alex Haynes Chapter 3. Emphasising Mutual Benefit: Rethinking the Impact Agenda through the Lens of Share Academy, Judy Willcocks Chapter 4. From Poverty to Life Chances: Framing Co-produced Research in the Productive Margins Programme, Sue Cohen, Allan Herbert, Nathan Evans and Tove Samzelius Chapter 5. Methodologically Sound? Participatory Research at a Community Radio Station, Catherine Wilkinson Chapter 6. The Regulatory Aesthetics of Co-production, Penny Evans and Angela Piccini Chapter 7. Participatory Mapping and Engagement with Urban Water Communities, Özlem Edizel and Graeme Evans Chapter 8. Hacking into the Science Museum: Young Trans People Disrupt the Power Balance of Gender ‘Norms’ in the Museums ‘Who Am I?’ Gallery, Kayte McSweeney and Jay Stewart Chapter 9. Mapping In, On, Towards Aboriginal Space: Trading Routes and an Ethics of Artistic Inquiry, Glen Lowry and Mimi Gellman Chapter 10. Adapting to the Future: Vulnerable Bodies, Resilient Practices, Deirdre Heddon and Sue Porter Conclusion: Reflections on Contemporary Debates in Coproduction Studies, Aksel Ersoy