The Handbook of Photography Studies

ISBN-13: 9781474242202 / Angielski / Twarda / 2020 / 610 str.

Gil Pasternak

Opis

The Handbook of Photography Studies is a state-of-the-art overview of the field of photography studies, examining its thematic interests, dynamic research methodologies and multiple scholarly directions.

Spis treści

Introduction: Photography Studies’ Prehistory, Formation and Evolution, Gil Pasternak  Part I: Histories and Approaches: Studying Photography in Shifting Academic Landscapes, Gil Pasternak  1. A Canonical History of Photography, Marta Braun  2. The Social History of Photography, Douglas Nickel  3. The Eye-Witness of Humanity: Changing Approaches to Photography’s Relationship to Society and Culture, Melissa Miles  4. Photographic Itineraries in Time and Space: Photographs as Material Objects, Costanza Caraffa  5. Forces and Forms: Theories and Methods in the History of Photography, Jae Emerling  Part II: Inter/disciplinary Concerns Disciplining Photography and Reframing Disciplinary Interests, Gil Pasternak  6. Photography in the Social and Behavioral Sciences: Intersections, Research Modes and Prospects, Luc Pauwels  7. After Photography as Contemporary Art, Benedict Burbridge  8. Photography After Philosophy, Daniel Rubinstein  9. Photography and the Business of Doing History, Elizabeth Edwards  10. Archaeology and Photography, Christina Riggs  Part III: Issues and Debates: Enduring Concerns in Photography Studies, Gil Pasternak  11. Politics and Photography: Being Together, With Photographs, Gil Pasternak  12. Photography and the Making of Modern Science, Jennifer Tucker  13. Photography as a Cultural Industry: A Historical-Theoretical Overview, Paul Frosh  14. Site of Ongoing Struggle: Race and Gender in Studies of Photography, Sarah Parsons  15. Objects of Denigration and Desire: Taking the Amateur Photographer Seriously, Annebella Pollen  16. Photography Meets Social Media: Image Making and Sharing in a Continually Networked Present, Martin Hand  Part IV: Culture and Geopolitics: Global and Local Forces in Photography Studies, Gil Pasternak  17. Australian Photographic Histories after Colonialism, Jane Lydon  18. Beyond Orientalism: Towards a History of Indigenista Photography in the Arab World, Stephen Sheehi  19. Photography’s Appearances in China, Oliver Moore  20. From Authenticity to Intimacy: Practicing Photography and Studying its History in Czechoslovakia and the Czech Republic, Eva Pluharová-Grigiene  21. Photographic Histories and Practices in Southern Africa, Darren Newbury  22. American Photographic Indicators: Addressing the Photo-Political State of a Contested Union, Louis Kaplan  Part V: Uses and Interactions: Photography’s Changing Faces, Gil Pasternak  23. Viewing and Display: Pre-photography to the 1970s, Margaret Denny  24. Representing News with Photographs: A Visual Economy, Thierry Gervais  25. Photographs at/of/and Museums, Susan A. Crane  26. “Working Objects in Their Own Time”: Photographs in Archives, Joan M. Schwartz  27. Domestic Collections, Martha Langford  28. Future Technology in Photography: From Capture to Use of Images, David Frohlich

O autorze

Gil Pasternak is Reader in Social and Political Photographic Cultures in the Photographic History Research Centre (PHRC) at De Montfort University (UK). A member of the advisory board for the journals Photography & Culture and Jewish Film & New Media, earlier in life he worked as photojournalist, photography archivist and fine art photographer, and in 2016 he was consultant for the BBC film Smile! The Nation’s Family Album (2017).