'… his innovative approach and finely marshalled erudition make this sophisticated study of great value to those interested in European theatre history.' Thomas Wynn, French Studies
Introduction: the 'first frame' of Enlightenment theatre space; 1. The divided scene of theatre space in the Neo-classical era; 2. The theatrical frame in French Neo-classical dramatic theory; 3. Enlightenment spectators and the theatre of experiment; 4. Theatre architecture reform and the spectator as sense function; 5. Optics and stage space in Enlightenment theatre design; Epilogue: modern spectatorial consciousness; Appendix: dedicated public theatres built in France, 1752–90.