The Eurovision Song Contest as a Cultural Phenomenon: From Concert Halls to the Halls of Academia

ISBN-13: 9781032037745 / Angielski / Twarda / 2022 / 304 str.

Adam Dubin; Dean Vuletic; Antonio Obregón

Opis

Drawing from the wealth of academic literature about Eurovision written over the last two decades, this book consolidates and recognizes Eurovision's relevance in academia by analysing its contribution to different fields of study.

Spis treści

Part I From Lugano to the Classroom: The ESC and Academia; 1. The Grand Tour: The Origins of the ESC as a Cultural Phenomenon;  2. The Eurovision Song Contest: An Academic Phenomenon;  3. A Human Rights-Based Analysis of the Eurovision Song Contest and the European Broadcasting Union;  Part II From Past to Present: History, Politics and Society;  4. The Mythology of Song Contests;  5. Teaching European History and Memory through Eurovision During the Covid-19 Pandemic;  6. A March for Power: The Variety of Political Programs on the Eurovision Stage;  7. The Molitva Factor: Eurovision and ‘Performing’ National Identity in World Politics;  8. A Critical Pedagogical Eurovision Euphoria: The Potential of the Eurovision Song Contest to Promote Values Propagated by the European Union within Formal Learning Contexts;  9. Sharing Values in the Eurovision Song Contest and OTI Festival: The Moral Fourth Person in the Lyrics of the Winning Songs;  10. Eurovision in the Boardroom: What Does Voting Order Tell Us About Decision Making?;  Part III From Stage to Screen: Film, Media, and Music; 11. High, Low, and Participatory: The Eurovision Song Contest and Cultural Studies;  12. Queer Camp Against Franco: Iván Zulueta’s Eurovision Song Contest Parody Un Dos Tres;  13. The Eurovision Song Contest and European Television History: Continuity, Adaptation, Experimentation;  14. From Trouble to Bubble? The Ambiguous Relationship between Professional Journalists and Fan Media in the Eurovision Song Contest;  15. Domesticity, Mass Media, and Moving-Image Aesthetics: The Visual Identity of the Eurovision Song Contest as a Hospitable Platform;  16. Armchair Researchers: Modes of Ethnographic Research for Understanding and Experiencing Eurovision;  17. Between Concepts and Behaviors: The Eurovision Song Contest and Ethnomusicology