List of contributors; List of abbreviations; Introduction; Part I. Planetary and Global Receptions of Woolf; 1. ‘What a curse these translators are!’ Woolf’s early German reception, Daniel Göske and Christian Weiß; 2. The translation and reception of Virginia Woolf in Romania (1926–89), Adriana Varga; 3. The reception of Virginia Woolf and modernism in early twentieth-century Australia, Suzanne Bellamy; 4. Dialogues between South America and Europe: Victoria Ocampo channels Virginia Woolf, Cristina Carluccio; 5. From Julia Kristeva to Paulo Mendes Campos: Impossible conversations with Virginia Woolf, Davi Pinho; 6. Three Guineas and the Cassandra project – Christa Wolf’s reading of Virginia Woolf during the Cold War, Henrike Krause; 7. Virginia Woolf’s literary heritage in Russian translations and interpretations, Maria Bent; 8. Virginia Woolf’s feminist writing in Estonian translation culture, Raili Marling; 9. Virginia Woolf in Arabic: A feminist paratextual reading of translation strategies, Hala Kamal; 10. Solid and living: The Italian Woolf Renaissance, Elisa Bolchi; 11. Tracing A Room of One’s Own in sub-Saharan Africa, 1929–2019, Jeanne Dubino; Part II. Woolf’s Legacies in Literature; 12. Virginia Woolf’s enduring presence in Uruguay, Lindsey Cordery; 13. Virginia Woolf’s reception and impact on Brazilian Women’s literature, Maria A. de Oliveira; 14. English and Mexican dogs: Spectres of traumatic pasts in Virginia Woolf’s Flush and María Luisa Puga’s Las razones del lago, Lourdes Parra-Lazcano; 15. A new perspective on Mary Carmichael: Yuriko Miyamoto’s novels and A Room of One’s Own, Hogara Matsumoto; 16. A Room of One’s Own: A cross-cultural voyage between Virginia Woolf and the contemporary Chinese woman writer Chen Ran’, Zhongfeng Huang; 17. In search of spaces of their own: Woolf, feminism and women’s poetry from China, Justyna Jagu?cik; 18. Trans-Dialogues: Exploring Virginia Woolf’s feminist legacy to contemporary Polish literature, Paulina Paj?k; 19. Clarissa Dalloway’s global itinerary: From London to Paris and Sydney’, Monica Latham; 20. Virginia Woolf and French writers: Contemporaneity, idolisation, iconisation, Anne-Laure Rigeade; 21. The dream work of a nation: From Virginia Woolf to Elizabeth Bowen to Mary Lavin, Pat Laurence; 22. Great poets do not die: Maggie Gee’s Virginia Woolf in Manhattan (2014) as metaphor for contemporary biofiction, Bethany Layne; 23. The Woolf girl: A mother-daughter story with Lidia Yuknavitch and Virginia Woolf, Catherine W. Hollis; Index.