Acknowledgments and credits; Preface; List of Abbreviations; I. FOUNDATIONS; 1. ‘Mermaids, that carving’: Pound and Italian Art, Giuliana Ferreccio; 2. ‘Templum Aedificavit’: Pound and Architecture, Stephen Romer; 3. Ezra Pound and East Asian Art, Mark Byron; 4. Ezra Pound and Old Music, Charles Timbrell; 5. Ezra Pound: Premier Danseur by Proxy, Evelyn Haller; 6. Time, Speed, Precision, and the Poetry of the Everyday; or, Ezra Pound’s Cinema Aesthetic, Bruce Elder; II. THE LONDON PERIOD 1908-1920; 7. Ezra Pound and 19th Century Aestheticism: Sharing ‘Breath for Beauty and the Arts’ with Rossetti and Pater, Sara Dunton and Demetres Tryphonopoulos; 8. Ezra Pound and James McNeill Whistler: Modernism and Conceptual Art, Jo Brantley Berryman; 9. Pound and Walter Rummel, Charles Timbrell; 10. ‘Museum Pieces’: Laurence Binyon, Ezra Pound, and the Visual Arts, Justin Kishbaugh; 11. Into the Vortex: Ezra Pound, Anarchism and the Ideological Project of Art Criticism, Mark Antliff; 12. ‘Intelligence … shut in by the entrenched forces of stupidity’: Pound and Wyndham Lewis, Paul Edwards; 13. Vorticist Photography or The Three Angles of Pound and Coburn, Ira Nadel; 14. ‘Creation and Action’: Ezra Pound and Italian Futurism, Sean Mark; 15. Pound and Kandinsky: The Inner Necessity of a Terrestrial Paradise, Jack Baker; 16. Agnes Bedford: An Invisible Helpmate, Stephen Adams; III. PARIS 1921-1924; 17. Constantin Brâncuşi Vorticist: Sculpture, Art Criticism, Poetry, Roxana Preda; 18. Percussive Music for a Triangle. Ezra Pound's Relationship with George Antheil and Olga Rudge, Mauro Piccinini; 19. ‘Like coins out of circulation’: Reframing Ezra Pound’s Le Testament, Scott Klein; 20. Pound as Music Theorist: Antheil and the Treatise on Harmony, Gemma Moss; 21. The Expansion of a Theory: Great Bass and Ballet mécanique, Margaret Fisher; 22. Renaissance Man’s Performance Practice: Ezra Pound’s Search for a Contemporary Colour Palette Through His Solo Violin Works, Leslee Smucker; IV. THE ITALIAN YEARS 1925-1939; 23. Pound’s Artistic Thinking and Relations in Italy, 1925-1945, Massimo Bacigalupo; 24. Music Recollected: Ezra Pound’s Cavalcanti, Charles Mundye; 25. Vida Sin Fin: Ezra Pound and Gerhart Münch, Roxana Preda and Heriberto Cruz Cornejo; V. WASHINGTON: MENTORING THE YOUNG IN THE 1950s; 26. Sheri Martinelli: The White Goddess, Alec Marsh; 27. ‘Art in the Solid’: Ezra Pound and Michael Lekakis, Galateia Demetriou; 28. A ‘Transference of Power’: Ezra Pound and the Cinema of Hollis Frampton, Daniel Hackbarth; Notes on contributors; Bibliography; Index.